Snakemother are a four piece band who relish in sharing a mix of heavy riffs and gloomy atmospherics. Within in the vast landscapes of doom metal – often populated by bearded figures with guttural tones – Snakemother really stand out, since the four musicians are unafraid to blend their extremely slow and heavy sound with a relatively clean vocal, which gives the six tracks on their self-titled release a pleasing feeling of balance.
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CURSE THE SON – Delirium
Sixteen years into their career, Curse The Son have unleashed a devastating work in ‘Delirium’. By taking many cues from classic stoner and doom bands and then adding their own brand of extra sludge, this fifth album from the New Haven heavyweights certainly doesn’t sell itself short in terms of riffs. The record’s general heaviness will be enough to win over a huge section of the metal community, but some already intense workouts take on new levels of darkness when the arrangements are peppered with some very bleak lyrical concerns.
Listen: SoftSun share new track ‘Daylight In The Dark’
Here’s a real treat from the Ripple Music label. SoftSun are a doom-laden shoegaze/desert rock trio featuring a few familiar faces. Guitarist Gary Arce will be familiar to some as a member of both Yawning Man and Yawning Balch; vocalist Pia Isaksen is a member of Superlynx, and drummer Dan Joeright is a member of Earth Moon Earth. Between them, they’ve created something that sounds almost nothing like their parent acts, immediately making SoftSun an effective side hustle.
GOAT MAJOR – Ritual
During the dying days of 2023, Welsh stoner/doom band Goat Major made some huge musical waves with their debut EP ‘Evil Eye’. Although its three tracks didn’t really set out to offer genre fans anything especially new, it was clear these lads had a massive set of talents, and clearly understood that taking a well liked style and reworking it flawlessly would be, in many ways, more beneficial than adding new twists and somehow missing the mark. Whichever way you approached it, the EP sounded superb. The riffs were incredibly weighty, the filtered vocal added a Sabbathy ‘Planet Caravan’-esque strangeness, and the rhythm section sounded like a truck. In DIY terms, ‘Evil Eye’ was absolutely peak stoner/doom – a download not to be missed, and a release that set up enormous hopes for an equally good follow up.
VARIOUS ARTISTS – Burn On The Bayou: A Heavy Underground Tribute To Creedence Clearwater Revival
Unless you happen to be Robert Pollard/Guided By Voices or Buckethead and have a blatant disregard for quality control, recording and releasing eight studio albums over a five year period is probably really difficult, if not impossible. Creedence Clearwater Revival not only managed that task between 1968-1972, but in ‘Green River’, ‘Willy & The Poorboys’, and ‘Cosmo’s Factory’, they managed to deliver a trio of cast iron classics. The latter is an album still beloved by millions; a soundtrack to a generation.