GOAT MAJOR – Ritual

During the dying days of 2023, Welsh stoner/doom band Goat Major made some huge musical waves with their debut EP ‘Evil Eye’. Although its three tracks didn’t really set out to offer genre fans anything especially new, it was clear these lads had a massive set of talents, and clearly understood that taking a well liked style and reworking it flawlessly would be, in many ways, more beneficial than adding new twists and somehow missing the mark. Whichever way you approached it, the EP sounded superb. The riffs were incredibly weighty, the filtered vocal added a Sabbathy ‘Planet Caravan’-esque strangeness, and the rhythm section sounded like a truck. In DIY terms, ‘Evil Eye’ was absolutely peak stoner/doom – a download not to be missed, and a release that set up enormous hopes for an equally good follow up.

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VARIOUS ARTISTS – Burn On The Bayou: A Heavy Underground Tribute To Creedence Clearwater Revival

Unless you happen to be Robert Pollard/Guided By Voices or Buckethead and have a blatant disregard for quality control, recording and releasing eight studio albums over a five year period is probably really difficult, if not impossible. Creedence Clearwater Revival not only managed that task between 1968-1972, but in ‘Green River’, ‘Willy & The Poorboys’, and ‘Cosmo’s Factory’, they managed to deliver a trio of cast iron classics. The latter is an album still beloved by millions; a soundtrack to a generation.

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DEAD FEATHERS – Full Circle

The first Dead Feathers album – 2019’s ‘All Is Lost’ – introduced the world to a solid blues rock/heavy psych band. With a sound indebted to the last gasps of the 60s and steeped in a classic riffs, the record’s ten songs explored a darker tone and shared arrangements which sometimes sounded like Jefferson Airplane’s moody cousin (‘At The Edge’), as well as hinting at an admiration for the slow and vaguely psychedelic blues of Savoy Brown (‘Smoking Gun’). It even wheeled out some brilliant fuzzy fare (‘Horse And Sands’) and a heavier riff or two in a nod to the mighty Black Sabbath (‘Cordova’). Although never as lavish sounding as the best Ruby The Hatchet works, it was one of those records that guaranteed enjoyment for fans of the style, wherever they chose to drop the metaphorical needle.

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THE REAL GONE SINGLES BAR #23

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. A popular feature, the mixed bag approach at the Singles Bar has often allowed for coverage of things that people wouldn’t necessarily associate with the site. The selection this time around is a little more rock based in places, but that doesn’t mean there aren’t a couple of interesting twists, and a jazzy, downtempo track definitely provides one of the best tunes. We present the return of Big River with a very melodic track, some brilliant pop, an interesting take on a classic band, and more besides.

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