Steak’s ‘Acute Mania’ (released via Ripple Music in 2022) presented a brilliant dose of stoner rock. Just as important as sharing some great riffs, the album boasted the kind of production job that made the London based heavyweights sound even heavier. The guitars adopted a tone somewhere between doomy and fuzzy – often making the band’s Kyuss influenced roots more than obvious – and the drums punched through everything with a genuine intent. In stoner terms, it offered the kind of professional sound you’d expect from a major label band a quarter of a century earlier. In short, ‘Acute Mania’ was a contemporary stoner classic.
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TEN EAST / SOFTSUN – Turned To Stone: Chapter 10 (Split Release)
Within the first two years of their existence, SoftSun – a project featuring Yawning Man’s Gary Arce and Superlynx’s Pia Isaksen – released two absolutely top notch albums. Both ‘Daylight In The Dark’ (2024) and ‘Eternal Sunrise’ (2025) shared a near perfect blend of deep psych and desert rock, with Arce’s atmospheric riffs proving a perfect match for Pia’s ethereal vocal style. No doubt about it: these records showcased one of the greatest bands to emerge on the desert rock/stoner scene for quite some time.
RAVINE – Chaos And Catastrophes
Labelled “extremely brutal” by Eyehategod guitarist/Down drummer Jimmy Bower, Ravine pull no punches when it comes to delivering a heavy riff. The Oregon band’s brand of sludge/doom and hardcore mightn’t reach the insane levels of heaviness set by Byzanthian Neckbeard or Dopethrone, but the best moments on their 2025 release ‘Chaos and Catastrophes’ are on a par with many a great and muddy sounding, riff wielding act.
SNAKEMOTHER – Snakemother
Snakemother are a four piece band who relish in sharing a mix of heavy riffs and gloomy atmospherics. Within in the vast landscapes of doom metal – often populated by bearded figures with guttural tones – Snakemother really stand out, since the four musicians are unafraid to blend their extremely slow and heavy sound with a relatively clean vocal, which gives the six tracks on their self-titled release a pleasing feeling of balance.
CURSE THE SON – Delirium
Sixteen years into their career, Curse The Son have unleashed a devastating work in ‘Delirium’. By taking many cues from classic stoner and doom bands and then adding their own brand of extra sludge, this fifth album from the New Haven heavyweights certainly doesn’t sell itself short in terms of riffs. The record’s general heaviness will be enough to win over a huge section of the metal community, but some already intense workouts take on new levels of darkness when the arrangements are peppered with some very bleak lyrical concerns.