Pink Floyd’s sixth album, ‘Meddle’, is regarded as a prog rock masterpiece. The band had released enjoyable works prior to its release in 1971, but ‘Meddle’ is arguably the first album where all of the “classic Floyd” ingredients came together to create something coherent. David Gilmour has referred to it as the first album since his appointment as guitarist that really made sense, and – as enjoyable as bits of its predecessors are in their own weird and wonderful ways – it’s hard not to argue with that logic. The thunderous bass groove driving ‘One of These Days’ very much looks forward to parts of ‘Animals’; in Gilmour’s ‘Fearless’, there’s a melodic prog songcraft that he would take forward and make the heart of ‘Dark Side of The Moon’ and even the post-Roger Waters ‘Division Bell’, and via the mighty ‘Echoes’ – a side long epic – bits of the Floyd’s soundtrack recording past collide with huge solos, and there’s even a melodic phrase that would be reworked a few years later to become one of ‘Dark Side’s timeless musical touchstones. Unfortunately, there’s the lazy blues of ‘Seamus’, too – something that undoubtedly grew from their Pompeii animal cruelty jam ‘Madamoiselle Nobs’ – but very few albums are perfect.
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KING KOBRA – We Are Warriors
When it comes to consistency and quality, a new record from King Kobra doesn’t come with any guarantees. Their 1984 debut is a fun melodic metal affair, and its timely delivered follow up ‘Thrill of A Lifetime’ is a decent melodic rock LP, but beyond that, their catalogue is largely pretty bad. 1988’s ‘King Kobra III’ is loaded with tuneless metal fare that’s blighted further by terrible vocals from Johnny Edwards (a poor substitute for the absent Mark Free), and the band’s first two reunion albums (2011’s ‘King Kobra’ and 2013’s ‘King Kobra II’) are heavily weighted towards party metal workouts full of really embarrassing and clichéd lyrics.
RATED X – Rated X
Put together at the suggestion of Frontiers Records as a classic rock vehicle to display the talents of legendary rock vocalist Joe Lynn Turner, Rated X is a heavy rock supergroup whose sound is – somewhat unsurprisingly – heavily indebted to Rainbow and mid-80s Deep Purple. As an ex-member of Rainbow, Turner is one of a few who can lay claim to this classic rock sound as being partly his own. Perhaps more importantly, he’s also one of a few veteran rock singers who’s still capable of lending some decent vocal chops to most projects when called upon to do so. Just one listen to the Sunstorm albums confirms his place as one of the all-time greats, so the record label’s faith in his abilities – even at the age of 63 at the time of this band’s formation – is justified.
KING KOBRA – King Kobra II
King Kobra’s 2011 comeback disc turned its back completely on the brilliant AOR sounds that filled the grooves of the band’s 1985 classic ‘Thrill of a Lifetime’, preferring instead to indulge in shameless musical chest-beating and overly macho clichés. Overall, it wasn’t as bad as 1988’s absolute stinker ‘King Kobra III’, but it represented a far cry from their best work. Although it is their sixth release, they’ve chosen to call their 2013 outing ‘King Kobra II’, since it clearly picks up the mantle where the self titled record ended, pairing the band’s founding members with ex-Rough Cutt vocalist Paul Shortino for more leather-based party rock anthems.