Mary Fahl first came to prominence as a member of October Project in the 1990s, but it was only after moving on and exploring solo ventures that the American vocalist began to reach her full potential. Despite not being the most prolific, her releases have been rich and sometimes quite varied. Clinging on to a folk core, and blending that with an easy listening vocal, Fahl’s best songs have ploughed a very adult MOR furrow, but those paying closer attention will spot a broad range of influences. For example, ‘Annie Roll Down Your Window’ shows an affinity for Indigo Girls, an almost Neil Finn-like pop element drives the folk rock sound of ‘Raging Child’, and much later on, ‘How Much Love’ conveys the dark heart of Tracy Chapman set against the sparseness of Daniel Lanois.
Over the past couple of years, we’ve been spoilt for Beatles products. Although the 50th anniversary of their peerless ‘Revolver’ came and went in 2016 without a reissue to mark the momentous occasion, the world was treated to lavish box sets of both ‘Sgt. Pepper’s Lonely Hearts Club Band’ in 2017 and ‘The Beatles’ (aka ‘The White Album’ in 2018.
With a pattern established, fans quickly speculated whether a 50th anniversary box set of ‘Abbey Road’ would emerge.
Cult indie/Americana band Deer Tick have confirmed they will release a new album in February 2019.
Entitled ‘Mayonnaise’, the album will feature re-workings of tracks from 2017’s critically acclaimed ‘Deer Tick Vol. 1’ and ‘Vol. 2’ albums alongside some well chosen cover tunes, including familiar material written by George Harrison and The Velvet Underground.
It was fifty years ago today…that the world was first introduced to Sgt. Pepper. It’s hard to imagine, at this point, that there was even a time when the album didn’t exist. Whether you consider yourself a fan or not, for the past two generations the album has become omnipresent. Two generations of people have loved it and hated it, while those who have yet to hear the record itself will still be aware of it’s presence. Visiting a record shop, there’s a good chance that its technicolor collage artwork will be seen. It’s always there; for most of us, it’s always been there.
Fifteen years after their last major hit (‘Calling America’) and subsequent break-up, Jeff Lynne revived Electric Light Orchestra. The move seemed to come from necessity, since his own recording in the interim (‘Armchair Theatre’) was not as successful as many predicted it would be. It was by no means a flop – and Lynne, too, achieved critical and commercial success as a member of Traveling Wilburys in the wake of his former band – but it seemed that any recordings made with the bespectacled and bearded Brummie at the helm (supergroups notwithstanding) stood a far better chance of acceptance if the ELO moniker came attached.