Not to be confused with the Colorado based doom/stoner band of the same name, this Polish trio arrived on the metal scene in 2025, bringing huge sounding trad metal riffs. Their shamelessly old school heart should make them appeal instantly to lovers of a “classic” style, but it’s also quite pleasing that some of the band’s material shows off a love for an unexpectedly dirty edge.
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PINK STILETTO – Do It For Me / Amour Finale
Credited with bringing back the “fun” and the “sexy” within a retro sound, Pink Stiletto’s 2024 EP ‘New Wava’ presented four mechanical sounding bangers that drew influence from a world of synth pop and new wave and occasionally added basslines that sounded more like they belonged on a synth-goth record. The managerie of sound created something so lovingly indebted to the past, it became instantly loveable, despite sharing a rather cold edge.
OREYEON – The Grotesque Within
On their 2019 LP, ‘Ode To Oblivion’, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.
MERCURY’S ANTENNAE – The Veil Opaque EP
Mercury’s Antennae are one of those bands who have a natural affinity with a very 80s inspired goth sound. Their ‘Among The Black Trees’ album (released in March 2025) presented nine tracks with a cold yet inviting sound, often heavily dipped in the waters of nostalgia. However, with goth sounds so well played, the release was impossible to resist. The Sisters of Mercy-esque ‘The Reflecting Skin’, Cocteau Twins tinged ‘As I Lay Hidden (Deer Island)’ and the stripped back, haunting tones of ‘Language of The Stars’, in particular, stood out, forming a trio of tracks that were among the band’s very best.
THE MORNING LINE – 90s Pickup / This Lens
Across two enjoyable releases, ‘North’ (2019) and ‘Scene’ (2022), San Francisco’s The Morning Line celebrated a very 90s brand of pop rock, with an array of songs driven by jangling guitars and harmonious vocals. Often sounding like a cross between peak Connells and the lighter elements of Soul Asylum circa ‘Candy From A Stranger’, their best songs had the power to uplift, and in the case of ‘Looking Right At You’ and ‘Make Believe’ (very much highlights from ‘Scene’) even shared a nostalgic quality, despite being newly written.