Within a couple of seconds, the brand new single from post rock band The Fierce And The Dead commands attention. During the intro of ‘Shake Hands & Exit’, the band couple a riff that’s as direct as their fan favourite ‘Truck’ with a stoner rock edge to create something quite sinister. It also represents one of the heaviest moments in their catalogue to date.
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Listen: Ken Newman unveils new track ‘Who Are The Bad Guys’
Back in 2022, singer songwriter Ken Newman released ‘What Am I Afraid Of?’, an album loaded with thoughtful, narrative pieces that chimed with an increasingly uneasy world. Between the roots rock sounds of ‘Nothing To See Here’, the politically charged ‘I Can’t Breathe’ and ‘I Dream of Guns’, and the retro power pop meets Americana sounds of ‘Away From You’, the album showcased a thoughtful wordsmith, adrift in an ever failing US. For those not into lyrical concerns, Ken ensured the music was always of a standard that allowed the songs to flow on their own terms, presenting a great arranger at work.
EUGENE McGUINNESS – Eugene McGuinness Versus The Universe
Back in 2007, singer songwriter Eugene McGuinness released ‘The Early Learnings of…’, an album that explored moody retro pop with a spooky undertone (‘Vampire Casino’), numbers centred around a hard strummed guitar and slightly distorted vocal (‘A Child Lost In Tesco’, ‘Monsters Under The Bed’), and even lo-fi works that sounded like the ghost of Brian Wilson colouring Tindersticks balladry (‘Madeleine’). His scattershot approach resulted in an album that presented a very interesting voice in the world of adult pop.
LOWSUNDAY – Ghost Machine: Black EP
Lowsunday made a long overdue return with their ‘Ghost Machine – White’ EP in 2025, putting an end to approximately a quarter of a century’s radio silence. Keen to capitalise on the momentum that was quickly built off the back of that release, it would only take six months for a follow up to appear.
Listen: Stephen McCafferty shares new track ‘Debt Collector’
In 2025, Stephen McCafferty released a string of impressive singles. The best of the bunch, ‘I Only Want To Hear Sad Songs’ shared a strong pop rock sound that hinted at a love of The Killers but added a distinctive Scottish accent, while ‘I Am The Buffalo’ took a similar sense of the melodic and added a light folky touch. ‘Rubber Glove’ leant a little further into an indie pop sound, but with the help of a buoyant melody and hooky lead guitar part, created another number that really helped to give the performer’s debut LP ‘Monsters and Lullabies’ a strong musical backbone.