Active from the mid to late 80s, The Difference were a progressive rock band that, while indebted to the usual influences from Rush and the big progressive hitters of the era, also tempered their sound with various other more contemporary influences – ranging from 80s pop and AOR to the tight quirks of The Police. On their 1988 EP, the coming together of older prog sounds with an eighties sharpness results in some very pleasing music that, although hampered slightly by budgetary contraints, still presents some great ideas.
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KUROKUMA – Advorsus EP
There have been a vast number of bands and musicians to come out of Sheffield over the years: Arctic Monkeys, Joe Cocker, Human League, Pulp, Def Leppard and ABC are arguably the most successful, but doom metal trio Kurokuma are almost without doubt the heaviest. These guys don’t just mean business – they’re coming to smash you into oblivion with an intensity that is truly impressive.
JACK BROADBENT – Portrait
There are far too many bands and artists out there claiming to understand blues music, but in reality are merely rock bands whom add a dash of the blues to their bombast. Whether the sounds of The Union, Blues Pills, Big River or even Blues Traveler, these bands’ blues always comes from a watered down and very white perspective; music channelled through Free or many a Woodstock jam band throwback. Jack Broadbent is different. A bearded, rural Englishman and a one-man powerhouse of the slide guitar, his music takes on far purer blues intents than so many of his contemporaries. The sleeve of 2015’s full length album ‘Along The Trail of Tears’ saw Broadbent recreating one of the only two known photographs of blues pioneer Robert Johnson and its eleven songs brought far more of an authentic back porch blues in places than most other blues releases of the day.
EIGHT DAYS – More To Life EP
The formation of Eight Days dates back to the band’s school years, but like so many, they wouldn’t be ready to take their music careers seriously until a fair while later. Refusing to take the easy way out, they spurned the obvious punk pop sounds practised by so many and set about creating a ferocious sound that fused hardcore punk and metal. Although this too had been done by many bands, by the time of Eight Days’ debut release in 2014, it was nowhere as predictable – or stale, even – as the more common, identikit pop-punk mould had become. The band then toured extensively, picking up fans along the way and found time to plug a recording gap with two new songs and a demo on their ‘Surrounded By Ones Who Want Me To Fail’ release in 2015. In the first half of 2016, Eight Days recorded four new tracks; these were eventually released as the ‘More To Life’ EP in the autumn.
CONTESSA & THE SQUIRES – Stomp The Bomb EP
Occupying a musical space somewhere between noisier rockabilly revivalism and the more accessible end of the psychobilly movement, Italian outfit Contessa & The Squires very much bring a party atmosphere on their third EP, 2016’s ‘Stomp The Bomb’. On these tracks, they don’t just stomp, but twist and shake with a whiskey-fuelled retro cool that should appeal to those who loved the Stray Cats, Polecats and The Jets back in 1981. If you’re approaching this hoping for a Meteors or Brains level of intensity, however, it’s very much time for you to step aside. The Squires are high energy, but in direct comparison to some of the scene’s more intense bands, accessible melodies are far more at the forefront here.