For garage rock fans, New Hampshire’s The Connection are a band that needs no introduction. For everybody else, here’s the skinny: they’re much loved by Little Steven Van Zandt and get regular play on his Underground Garage radio show and they count Andrew Loog Oldham among their many fans. That seal of approval should be enough for the curious to take a listen, but more than that, these are musicians with a pedigree. The hardest working gang in the state, The Connection features Brad Marino (also of the New Trocaderos), Geoff Palmer, Craig Sala and Kris “Fingers” Rodgers (all of whom have served time as members of the Kurt Baker Band and Wimpy and the Madallions). Their music is retro, but often much friendlier on the ear than so many garage rock outfits, since they’re often keen to mix in a hefty dose of power pop, and on ‘Labor of Love’ – their second full-length – they’ve got choruses and musical hooks aplenty…
Tag Archives: rum bar records
THE BREAKDOWNS – Rock ‘n’ Roller Skates
The Breakdowns are a four piece power pop combo from Nottingham, but despite their roots, can be heard indulging in some very transatlantic sounds. They’ve released a couple of excellent albums (with 2011’s ‘The Kids Don’t Wanna Bop’ being particularly worth seeking out), they’ve supported Ginger Wildheart and each year increases their cult status. 2014’s ‘Rock ‘n’ Roller Skates’ [issued early 2015 in the US under the name Los Breakdowns on Rum Bar Records, sometime home of Kurt Baker] takes their previous musical blueprint and polishes it a little, delivering eleven old-style power pop gems in the process.
WATTS – Flash Of White Light
Boston rock ‘n’ rollers Watts dropped their second full length LP ‘On The Dial’ in 2010. Its selection of trashy tunes that by and large sounded like a collision between mid-70s Stones and New York Dolls overseen by Tommy Stinson and the band were more than happy to wear the influences proudly upon their collective sleeve. A few years on, ‘Flash of White Light’ essentially brings more of the same, though it’s obvious from the outset that the hooks are bigger and the general swagger comes with more confidence than before. The core of the Watts sound, however, remains unchanged.
GEOFF USELESS – Don’t Stop
After almost a decade churning out music for a cult following, US punks The Guts went on hiatus in 2009. Frontman and founder member Geoff Useless took the opportunity to embark on a solo career, resulting in an EP and this full-length offering, originally released on Livid Records in 2010. Considering Useless had also worked with The Queers and The Nobodys, ‘Don’t Stop’ is pretty far removed from being the punk (or even pop-punk) record each of his prior connections would ever suggest. But then, what’s the point in having an outlet for solo work if it’s just gonna mirror your “day jobs”?