As we head even further into a new year, submissions for the ever popular Real Gone Singles Bar continue to be very interesting. This time around. We’ve got a perfect homage to those 90s classics from the 4AD label, the return of a great retro goth band, some British skacore, and even a lo-fi oddity that proves surprisingly effective. With a couple of rocky tracks along the way and some well played Americana, we hope most people will find something new to enjoy.
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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have been submitted over the previous few weeks. This time around, there’s some perfect dream pop/indie sounds, a huge stoner friendly piece of deep psych with a heavy edge, some AOR, a superb track with a jazz influenced vocal…and more besides. As always, we hope you find something new to enjoy!
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Welcome back to the Real Gone Singles Bar, the place where we throw a spotlight on some of the best new tracks that have landed in our inbox over the previous few weeks. It’s quite a rocky selection this time out, with an Irish band fusing some early 90s riffs with a distinctive voice, a groove laden track that takes the bones of garage rock and adds a heavier twist and a rock band reworking a 70s classic in an even harder style, but there’s variety too, with a dash of country and a couple of singer songwriters awaiting your attention. As always, we hope you find something new to enjoy…
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When it comes to compilations, the UK rock scene of the late 1960s/early 1970s has been covered extensively – to the point of absolute overkill. It’s easy to feel that this is a part of musical history that no longer needs revisiting, just as many “new” articles on The Beatles, the Stones and Queen now border on being digital landfill. With that in mind, it’s always far more interesting when attentions are turned to overseas acts. Cherry Red’s rather excellent set ‘Living On The Hill’ promised “a Danish underground trip” upon its release in 2020 and subsequently did exactly what it said on the tin, giving the keener rock fan three discs’ worth of genuinely unfamiliar sounds from the North, with Blast Furnace being the compilation’s nearest to a “known” name.
Following 2024’s ‘Asylum Harbour’ – which featured a pair of very strong singles, ‘Mirror’ and ‘Gimme Some Pain’ – LA’s Tombstones In Their Eyes sound equally enthused on their sixth full length release ‘Under Dark Skies’. The record’s ten tracks take in some mighty riffs, mixing the huge sounds of shoegaze with the haziness of old school psych, adding a pinch of blues and a sprinkling of goth along the way, to create something that’s often very rewarding.