TABOO – Taboo

When it comes to hard rock, the Scandinavians have always had a really good ear for a melody and chorus. Throughout the 90s when melodic rock and AOR was hugely unfashionable, the Swedes’ knack for delivering classic, big haired sounds continued unabated, and in metal terms, twenty first century heavy hitters like In Flames and Opeth have more than shown how once extreme subgenres can often benefit from a finely tuned melodic streak. What’s more, they’ve achieved this with so much more style than their US counterparts.

The same can be said for Danish band Taboo. A new arrival on the rock scene for 2022, but featuring a couple of old faces, the musical project teams H.E.R.O vocalist Christoffer Stjerne and Pretty Maids guitarist Ken Hammer, with the intent to do something a little different from their day jobs. Their debut album proudly boasts the kind of huge chorus hooks you’ve come to know from Pretty Maids, but trades in some of their big haired, 80s cheese and bombast for something not only with a bigger crunch in places, but also a slight electronica twist.

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BIG RIVER – Beautiful Trauma EP

The extended periods of pandemic lockdown in the UK took their toll on most bands, but for Kent-based blues rockers Big River, that period of instability between 2020 and ’21 was particularly tough. Despite releasing their debut album ‘Redemption’ in 2019, they were still heavily reliant on regular live work to keep up momentum. Without access to venues and audiences, they were in danger of losing traction. The band suffered a further knock back in March 2021 when it was announced that long-serving vocalist Adam Bartholomew would be leaving the fold. For many, his big presence and big waistcoats had been a vital part of the Big River live experience.

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MONTROSE – I Got The Fire: The Complete Recordings 1973-76

1973 was a fantastic year for rock music. Pink Floyd released a world beater with ‘Dark Side of The Moon’; Led Zeppelin offered ‘Houses of The Holy’ – one of their most varied and adventurous works to date – and Queen introduced the world to their mix of pomp and pop with a confident, if flawed, first album. With other superb albums by Paul McCartney & Wings (‘Band On The Run’ and ‘Red Rose Speedway’), two great works from Elton (‘Goodbye Yellow Brick Road’ and ‘Don’t Shoot Me’), two from future megastar Bruce Springsteen, the Stones’ branching out on ‘Goat’s Head Soup’, and Yes disappearing up their collective backsides on ‘Tales of Topographic Oceans’, the year offered the discerning music fan something interesting at every turn.

Somewhere among the noise, US hard rockers Montrose made their breakthrough. Their self-titled debut album is as powerful as the Van Halen debut from ’77, with riff after riff on a filler free, half hour slab of plastic. As raucous as New York Dolls, and as groove laden as the best Johnny & Edgar Winter tomes, decades on, it remains a near perfect example of American hard rock. In the UK, neither Montrose or their debut album get talked about as often as they should be, but ‘I’ve Got The Fire’, a 6CD box set from Cherry Red certainly aims to change that by shining a massive light upon an all too short time at the top, bringing together pretty much everything the band recorded during a very prolific four years.

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THE RIGHT HERE – Reckless Kind / Molly

They aren’t especially well known in the UK, but The Right Here have been releasing enjoyable rootsy rock records since 2012. Capturing a sound that falls somewhere between Springsteen, The Gaslight Anthem and Nato Coles, the blue collar grubbiness within their work is laid on pretty thickly, but their gifts for knocking out riffs and hugely broad melodies makes their work widely appealing.

Their 2021 release ‘Northern Town’ was picked up for distribution by Rum Bar Records, placing the band in great company alongside Nato Coles, Watts and Nat Freedberg, A well rounded record, it placed the Soul Asylum-esque ‘Buy Me Another Round’ and ‘Every Once In A While’ alongside the punkier ‘Good Luck Trying’ and the countryfied ‘Drinks & A Dress’, giving the album a varied yet consistent heart.

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BAR II – How I Fake It EP

Following on from their ‘Let You Down’ single in 2021, Belgian rock band Bar II’s ‘How I Fake It’ EP features a couple of their best recordings to date. Its two tracks are centred around some fairly chunky riffs, but despite being promoted as a “stoner duo”, the best moments branch off into an even spikier sound, often showcasing the musicians in a more inventive way.

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