A timely follow up to their 2020 full length ‘Axiom’, ‘Sys’ presents three new performances by Brooklyn experimentalists Kilter. Going deeper into jazz than ever before, the material’s extremely moody saxophone sounds and distorted bass grooves will thrill extant fans. As for attracting a wider audience, as before, the strange and alternative elements of Kilter’s sound will upset the jazz purists, but listeners brave enough to enjoy ‘Disco Volante’ by Mr, Bungle, The Book of Knots and the more wilful aspects of early 70s King Crimson will certainly find plenty to latch onto here.
It’s been three years since A Place To Bury Strangers released new studio material, but everyone’s favourite New York noisemakers return in July with a brand new EP release, ‘Hologram’.
As part of the early promotion for their long overdue return, they’ve shared the lead single ‘End of The Night’, along with an accompanying video.
For those who’ve previously enjoyed either bands’ works, this split between Ohio based metal/noise rock bands Ghost:hello and Night Goat is much more than a mere collection filler. Although in some ways, the Ghost:hello material doesn’t always live up to the promise of their 2019 full length, between one genuinely great studio track and an unmissable live recording, you really couldn’t call their contribution to the release weak in any way. In fact, despite a couple of flaws, their material is more than capable of going head to head with Night Goat’s much darker aspects. …And as for Night Goat themselves, fans will surely love most of the spacious and unsettling material that lies in wait.
Combining elements of post punk and noisy indie, London-based art rock band Blue Statue cast themselves as the natural successors to Wire on their new single ‘V.F.’
Blending elements of metal, noise rock, art rock and pure sludge, Baton Rouge’s Shadow People bring a whole new meaning to the word “intense”. Contrasting sludgy riffs, grinding sounds and retching vocals against unexpected bursts of melody within three tracks that seem to blend into each other, their 2020 EP ‘Washing In Soap Opera’ is as a careening ten minute noise-fest. Its music is almost as frustrating and broken as the era in which it was created. …And yet, there’s something about this wanton ugliness that’s potentially brilliant.