Cathari’s 2023 release ‘In God’s Infinite Silence’ presented six tracks of wonderful bleakness. On that record’s best tunes, the band’s doom metal influenced sound centred around a clean vocal and clean guitar, which often resulted in its oppressive feel coming from a gothic perspective. Going a little deeper, an intermittent concession to cold post-metal, as opposed to recycled Sabbath-isms, gave the band a strong sense of identity. When reaching for further extremes, passages where doom collided with abrasive black metal influences suggested Cathari were already drawing from a bigger well of intensity than most. Overall, the record left the feeling that the band might deliver something even more intense going forward.
Tag Archives: noise rock
HOT FIENDS – Cult Supreme EP
Brighton’s Hot Fiends aren’t shy of a massive riff. Nor are they afraid of a sharp edged vocal. Their sound is much broader than a lot of other DIY punks, however, and on their debut EP ‘Cult Supreme’, they deliver some truly abrasive noises. In their own words, the music represents “a sonic slap”; for those keen to apply easy labels, it’s fair to say its five tunes take in hardcore punk traditions and splice the speed with bits of extreme post-metal, but the material also finds time to explore some genuinely uncompromising noise rock. When chucked in a giant musical blender, it ends up sounding much closer to a very confident post-hardcore racket, but the five tracks are anything but predictable.
LASSITERS – The Charred Remains Of Gusso The Clown
London based band Lassiters aren’t doing things by halves on their second release ‘The Charred Remains of Gusso The Clown’. In ten songs and approximately half an hour, the three piece band whip up a brilliant musical storm where the tunes are noisy, and the lyrics sometimes knowingly silly, but there’s always a real focus within their hardcore stance.
THROAT – We Must Leave You
On their 2018 album ‘Bareback’, noise rockers Throat created a sound that took the darkness of goth, the angular elements of post punk and the abrasiveness of industrial to create a record that was one of rock’s most confronting since The Birthday Party bowed out with ‘The Bad Seed’ in the early 80s. Sometimes sounding like Die Haut, sometimes like Fugazi crossed with something much darker, It’s fair to say, the album wouldn’t have been for everyone, but the way Throat took their influences, pushed forth and created something contemporary for the time of release was more than admirable.
LITTLE BABY TENDENCIES – Bad Things
A collaboration between drummer Tyler Harrington (The Wirms/Off Peak Arson) and guitarist/vocalist Haley Ivey, Little Baby Tendencies are a fantastically angry duo. Their sound blends garage punk and noise rock in a way that seems pretty vital, and although their songs rely very heavily on a core of shouting and crashing drums, they also bring a brilliantly dirty edge to an otherwise typical world of distortion.