SIRS&MADAMS – Sirs&Madams

sirs&madamsBrooklyn’s Sirs&Madams is very much a band of two distinct moods. On this debut release, when not laying down thoughtful pastel sounds with an alt-folk leanings, they’re tearing it up via some chunky and melodic indie rock workouts. While this perhaps might sound a little too broad stylistically speaking, they have one absolute constant. Whether rocky or rootsy, the bulk of the material is held together by some truly outstanding performances from frontwoman Laura Gwynn. Her voice, a confident, belting array of sounds with a sheer melodic edge cutting through at all times, is one of the finest voices to appear on the DIY music scene for a very long time. It’s one of those voices that has such power, she could sing almost anything and make it sound utterly spellbinding.

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NICK FLORA – Futureboy EP

futureboyAt the beginning of 2015, Nashville-based singer songwriter Nick Flora set out on a mission.  That mission was to raise enough funds to record three EPs’ worth of all-original material for release throughout the following year.  The first of those releases, ‘Futureboy’, places Flora squarely within the powerpop mould – it’s five songs bringing a few sunny vibes at a time when the actual summer begins to bid the northern hemisphere goodbye.

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THE JAM – Fire And Skill (Live 1977-1982)

the-jam-fire-and-skillAlthough only a recording unit for just under six years, The Jam left behind a musical legacy that influenced the generations to come; from the whole of the Britpop movement, through to The Libertines, Kaiser Chiefs and so many others, The Jam had, in turn, become as influential as the bands which had influenced them.   The songs penned by the young Paul Weller – whether capturing heartfelt political statements, the anger of youth or an occasional melancholy ballad – set him on the road to being one of Britain’s finest songwriters, a man whose lyrics have really stood the test of time.

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ELLA SQUIRRELL – Loop EP

squirrellTaking in a range of influences on her debut EP ‘Loop’, singer-songwriter Ella Squirrell creates four tracks which are heavily rooted in the electronic with some hefty beats, but always retain elements of the human spirit.  The core of the music borrows heavily from late 90s trip-hop and electronica, while her open and sometimes biting lyrical approach owes more to the candid singer-songwriters like Joni Mitchell and Carly Simon from decades earlier.  In this respect, her work should appeal to devotees of Sarah McLachlan, especially those who have a liking for her work with electro act Delirium.  Ms Squirrell, of course, doesn’t just recycle these influences – as with any singer-songwriter dealing with the more personal, huge chunks of her own emotion and spirit make up the heart of the material.

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Queen 80s & Beyond poll results + video gallery

Real Gone’s first Queen poll, looking at the band’s 70s work, was a roaring success.  Hot on its heels, we ran a second poll asking you to vote for your favourite songs from the second phase of their much-celebrated career.  While similarly successful, the second poll showed how much love fans have for band’s singles – in this case, far more so than the album material.

There’s no denying the quality of Queen’s hits between 1980-1991.  Aside from those from the “marmite” album ‘Hot Space’ (1982), the band achieved wall-to-wall greatness in the singles department during their stadium years; their singles still in regular radio rotation the world over.  …And fans clearly still love them.

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