REAL GONE GOES OUT: Deacon Blue – Royal Festival Hall, London 16/11/2016

deaconThe Royal Festival Hall in London is one of those buildings that splits opinion. For some, it’s an amazing piece of 70s architecture, a lasting snapshot from a time when things looked yellow and brown…and different; for others, its mess of passageways and stairs around every corner gives the feeling of being stuck in an Escher painting. The performance area is great for the “serious” music event, the classical performance or world music extravaganza; for the rock or pop audience, it’s a space that never quite reaches its full potential, with people dancing in a restrained way in front of their fold up seats. Nevertheless, it’s here that Deacon Blue have returned after selling out the venue two years previously.

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THE SHACKS – The Shacks EP

the-shacksIn the summer of 2016, singer-songwriter Max Shrager released ‘Thoughts of You‘, a solo collection of lo-fi tracks written and recorded over a six year period. As if experiencing M.Ward and Tobin Sprout through an old AM radio, the songs weren’t always the easiest to get into or even the most melodic, but there was something about Shrager’s approach that had a curious appeal.

As one half of duo The Shacks, Shrager continues along a gentle and almost vertiginous path, but given the luxury of a proper recording budget, his musical preferences are warmer and more inviting. Not only that, but having Shannon Wise handle the band’s vocals is a step towards a sound that’s better still. Wise has a presence: it’s not the style of your average singer whom allows a forceful voice to take command of the material in hand, but rather the opposite. By using her tones in a hushed and minimalist fashion, she constantly draws in the listener, in a way that so often accentuates the quirkier aspects of the music.

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MASON SUMMIT – Gunpowder Tracks

mason-summit-lpFor a man of just nineteen years of age at the time of recording this third album, Mason Summit’s songwriting ability stretches way beyond his years. On these twelve songs he applies his craft to retro sounds aplenty, on songs that span AM radio pop, country and occasional jazziness. In doing so, he comes up with a winning formula that should appeal to those who like their music to have a familiar echo of the past. Of all the superb qualities that ‘Gunpowder Tracks’ possesses, however, it is the over-riding sense of warmth that wins out and really makes the album so inviting.

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KASEY-MICHELLE – Young & Reckless EP

kasey-michelle-epAustralia isn’t necessarily the first place you think of when it comes to country music. Aside from Keith Urban, the antipodeans haven’t necessarily had many country music exports since the 60s, but over the years they’ve constantly nurtured their own homegrown scene. Queensland native Kasey Curwen – professionally known as Kasey-Michelle – really grabs a hold of the poppier end of the genre to provide the core sound for her debut EP ‘Young & Reckless’. It isn’t the work of a country purist but, that said, most of this release is still going to be far too country for those who come out in hives at the merest hint of a knee-high boot, and run for the desert plains screaming at the threat of a newer country music and it’s shiny pop fusions. Those who like a bit of a country influence, on the other hand, are likely to find at least two unpolished diamonds within this EP’s five songs.

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MAX SHRAGER – Thoughts Of You EP

Some things aren’t creamax shrager epted in the spur of the moment. Some things take a long time to find their place in the world. Such is the case with the debut release by singer-songwriter Max Shrager. Although by the time of ‘Thoughts of You’ was released July 2016 he had formed The Shacks and appeared to have settled, the six tracks on his solo EP were not part of the more immediate lead up to that, having been written and recorded over an eight year period.

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