Winger have had more than their share of knockers in the past. In the early 90s they were blasted on an almost weekly basis by cartoon misfits Beavis & Butt-head; members of high profile rock bands weren’t any kinder with their childish jibes, while the music press were often too quick to write them off in the face of a changing musical tide. Such things surely would have hurt, but it doesn’t change the fact that the first three Winger albums are top-notch melodic rock affairs – albums that have aged better than those of some of their peers. Nor does it change the fact that Winger were – and still are – a superb live act.
Tag Archives: melodic rock
REAL GONE GOES OUT: Dan Reed Network – Islington Academy, London 10/06/2014
In their original lifespan, the Dan Reed Network left the world three albums of superb funk rock. Poppy yet sophisticated, the band’s best work – though very of the period in which it was conceived – remains much loved by their cult of fans. During those seven years, the band also released a string of should’ve been hit singles, though rarely troubled the charts. Why DRN never really made it past cult status is a mystery – a multiracial act with a magazine-friendly image; backing from a major label; a tour with The Rolling Stones…surely they should’ve had the world on a plate. Most importantly, though, they had those songs: so accessible, so hooky and yet so overlooked. Following their split in 1993, frontman Dan Reed ventured into with acting, appearing in a Red Shoes Diaries production and a couple of other things (including a self-written movie named ‘ZigZag’, which may or may not have started life as a project called ‘The Ocean’) and also owned a nightclub. He dabbled with music, too, recording an album with Adrenaline Sky – including members of defunct funk-rock band Maggie’s Dream – and later released solo works, though nothing quite hit the heights of the Network’s peak.
NEAL SCHON – So U
Taking time off from touring with Journey, guitarist Neal Schon released his seventh solo album in October 2012. His first release for Frontiers Records, ‘The Calling’ showcased the more indulgent elements within his repertoire and while the heavy jazz-rock leanings may not have been in keeping with what most Journey fans were looking for, most of the results were spectacular. An album so good, in fact, he mightn’t top it if he attempted something similar so soon…and so, with ‘So U’ Schon looks far more towards song based material to ensure it isn’t just a retread of its predecessor.
MAGNUM – Kingdom Of Madness
Although by the late 80s they had blossomed into one of Britain’s best loved AOR/melodic rock bands, Magnum’s career had somewhat shaky beginnings as a pub rock/covers band. While popular around the local haunts in Birmingham, playing covers was never likely to break them into the big leagues, but surprisingly, they gained the attention of CBS Records who released a cover version of ‘Sweets For My Sweet’ in 1975. The single flopped; Magnum and the label soon parted ways.
STRANGEWAYS – Age Of Reason
Despite some over-excitement by many aging rock fans, Strangeways supposed “comeback” album, 2010’s ‘Perfect World’, was far from perfect. So far from perfect, in fact, it couldn’t even stretch to being called average. The record featured eleven tracks which had the little life they possessed sucked from them courtesy of one of the most appalling production jobs to ever grace a melodic rock disc. The sound of a band desperately trying to be heard through a muddy dirge, ‘Perfect World’ was an insult to melodic rock fans and a bigger insult to vocalist Terry Brock, lending his great voice to the band for the first time since the 1980s.