Italian power poppers Radio Days waved goodbye to 2020 with an excellent three track release, ‘I Got A Love’, presenting two very sharp self-penned tunes and a spirited cover of The Jam’s ‘In The City’. Although bite-sized, the release gave fans everything they could hope for from a new Radio Days disc.
After a fairly devastating year, 2021 got off to an equally wobbly start due to a global pandemic still dragging its heels and refusing to leave. With no sign of big UK gigs returning any time soon and a lot of smaller, DIY bands really missing being on stage, everyone turned to Bandcamp and other similar websites for continued entertainment.
On the plus side, this has kept Real Gone busier than ever. The first quarter of 2021 has been our busiest to date, with bands and labels approaching us by the hundred, looking for good quality coverage.
When K7s debut album ‘Take 1’ appeared in 2018, it presented itself as an instant classic. In the middle of a pandemic of emo inflected punk, and a bunch of pop punk releases that had too much focus on the pop, the US/Spanish combo gave everyone a perfect reminder of the punk sounds they loved in the 90s. Its half an hour packed in riff after riff, drawing from Ramones, Screeching Weasel and The Apers, quickly setting itself up as an unmissable disc.
The world waited for ‘Take Two’. …And waited. Then, finally, at the beginning of 2021, the band returned with a new work, but fans would still be left waiting for a new disc of self-penned bangers.
At the tail end of a troubled 2020, Milwaukee garage rockers Indonesian Junk returned with a brand new single ‘Type of A Girl’. Musically more melodic than most of the band’s previous works, it tapped into a fantastically retro sound that shared a huge love for New York Dolls.
By the end of 2019, few people would have suggested we’d live through a year any more devastating than 2016. That year, famous musicians seemed to be dying on a weekly basis. 2020 had even more of a drastic effect on the music industry with a global pandemic putting a halt on gigs and forcing various small, grass roots venues to close their doors forever.
On the plus side – and you always have to look for a positive, even in the most dire of circumstances – a dramatic change in circumstances has forced musicians to change their way of working. For those with home studios, it’s meant we’ve seen an increase in output. We’ve even been given unexpected albums – right at the end of the year, there were surprise releases from Paul McCartney and Taylor Swift and various other interesting albums were put together remotely. …And as we take stock on a terrible year, it seems that the gift of recorded music has been one of our only constants: 2020 may have been an absolute bastard in so many ways, but we’ve all found new music to love.