YAWNING BALCH – Volume Three

The first two albums by Yawning Balch – the side project featuring members of Yawning Man with Fu Manchu guitarist Bob Balch – yielded some fabulous music. The lengthy, improvised jams filled a pair of records with brilliant, almost ambient desert rock sounds; a whole world of sonic textures that really capture a moment, but really allow listener to be really drawn in by the band’s almost cinematic qualities.

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DEAD FEATHERS – Full Circle

The first Dead Feathers album – 2019’s ‘All Is Lost’ – introduced the world to a solid blues rock/heavy psych band. With a sound indebted to the last gasps of the 60s and steeped in a classic riffs, the record’s ten songs explored a darker tone and shared arrangements which sometimes sounded like Jefferson Airplane’s moody cousin (‘At The Edge’), as well as hinting at an admiration for the slow and vaguely psychedelic blues of Savoy Brown (‘Smoking Gun’). It even wheeled out some brilliant fuzzy fare (‘Horse And Sands’) and a heavier riff or two in a nod to the mighty Black Sabbath (‘Cordova’). Although never as lavish sounding as the best Ruby The Hatchet works, it was one of those records that guaranteed enjoyment for fans of the style, wherever they chose to drop the metaphorical needle.

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Watch the new video from Hooveriii

Hooveriii (pronounced Hoover 3) are gearing up for the release of their new album ‘Water For The Frogs’. Due for release on April 9th, the new album finds the six person band going deep into guitar driven grooves and heavy psych rock. Taking Bowie’s Berlin trilogy and old Krautrock for influences, the band’s current material sounds both retro and current. There’s a fuzziness to the riffs that could draw in fans of the noisiest end of the indie spectrum, while working a core sound that manages to be experimental yet still strikingly accessible.

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MOTHS / THE STONE EYE – Split EP

In terms of split releases, this EP is very impressive. It ticks all of the boxes that a great split should in that, firstly, it introduces listeners to two great bands they might have missed and, secondly, it pairs some interesting original material with some well chosen covers.

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