As the 1990s dawned and Iron Maiden entered their second decade as recording artists, their eighth studio album presented the band’s first real misfire. Sure, 1981’s ‘Killers’ may have used of a lot of leftover material but it had a lot of heart, but ‘No Prayer For The Dying’ (released in October 1990) is the first Maiden release that could be considered bad. Maybe that’s harsh. To put it another way: it is one of those albums which sounds solid enough at first, but dig a little deeper and repeated listens show it to be generally unremarkable. And obviously, compared to Maiden’s previous heights – following a decade where the band could barely put a foot wrong – that’s not so good. Since its predecessor ‘Seventh Son of a Seventh Son’ offered especially memorable material in ‘Infinite Dreams’, ‘Can I Play With Madness’ and ‘The Evil That Men Do’, it didn’t seem like too much of a leap of faith to expect ‘No Prayer…’ to deliver a similar standard of goods, but most of the album sounds genuinely flat by comparison with any of its forebears.
Tag Archives: hard rock
PALACE – Master Of The Universe
Michael Palace made his entrance into the melodic rock world early in 2016 when he contributed some fine guitar work to the second First Signal album. Several months on and with a new band in tow, his eponymous band’s debut teams him up with musicians who’ve played on other AOR projects from Find Me, Houston and even Erika Norberg.
KING COMPANY – One For The Road
Constructed of ex-members of Warmen, Thunderstone and Enfarce, King Company started out their musical journey as No Man’s Land. After a swift renaming they set about recording their debut album ‘One For The Road’ and were subsequently picked up for distribution by Frontiers Records, a label which, at the time of King Company’s first offering was home to Def Leppard, Whitesnake, Journey, Uriah Heep and other classic rockers. If nothing else, King Company found themselves in fine company.
EPIC – Like A Phoenix
Not to be confused with European symphonic metal outfit Epica, Epic are a multi-national hard rock band comprising members from the US, Canada and The Lebanon. Their debut album, ‘Like a Phoenix’ released on Escape Music – home of Saracen, Impera, Chris Ousey (often the label’s only true saving grace) and many more – is a somewhat patchy affair, but three melodic belters make it worth hearing. In many ways, the inspirations behind those songs and the styles are very well worn, but looking chiefly at their target audience – a bunch of middle-aged, stuck in a rut men who’ll blindly purchase everything the label puts out – Epic work hard at giving those listeners exactly what they want. Early comparisons to Heart and Saraya might just be a bit of a stretch, though. It’s a brave or hugely optimistic person who even thinks comparing frontwoman Tanya Rizkala to the almost peerless Ann Wilson is a sensible idea. Tanya has a big voice, it’s true enough, but in terms of range, it is a far cry from Wilson’s impressive style.
ERIKA – Deaf, Dumb & Blonde
Having released a string of albums in the 90s and subsequently retreated from performance into the world of song writing, Swedish rock singer Erika Norberg marked the end of an eighteen year recording hiatus with the release of 2016’s ‘Deaf, Dumb & Blonde’. There’s always a lot riding upon a performer’s return…but on the basis of these dozen hard rock tracks, she probably shouldn’t have bothered.