NFU – Treason EP

13245278_789310397873227_1684389454567832596_nPlaying a distorted and heavily wah-wahed blend of bluesy hard rock, in theory, New York’s NFU are the kind of band who should draw easy comparisons to Hendrix, Zeppelin and various 90s hard rockers enamoured with both. That’s so obviously their aim. The reality, however, is somewhat shocking. Despite promising “an EP full of character”, it’s quickly apparent that these four musicians – using that word in its loosest sense – have little more than a basic grasp of their instruments. At best, listeners will be subjected to material that approximates a boring bluster. But that’s being somewhat kind, since the four songs on ‘Treason’ seem to be played by a band who have absolutely no abilities when it comes to playing in sync with each other.

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THE LUNAR EFFECT – Strange Lands

lunar effectA band previously described as having “vim and verve”, Herfordshire’s The Lunar Effect play a brand of stoner and desert rock that so often has a definite American sound. Taking bits of Kyuss, Trouble, Sun Voyager and the obligatory seasoning of Sabbath, their work is riff heavy, but often tempered by a welcome spaciousness giving proceedings a slightly trippy nature. Following their 2014 home recorded EP, for 2016’s ‘Strange Lands’, Jon Jefford (vox/g) and Daniel Jefford (d) now find themselves as part of a full band and with a slightly bigger recording budget. This gives their first full length release more scope than they ever had before.

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JORN – Heavy Rock Radio

jorn heavy rock radio lpPossessed with one of the biggest voices in rock – possibly the biggest, alongside his regular collaborator Russell Allen – Jorn Lande has carved out a career with some great releases over the years. His place as Dio’s natural successor is very much assured due to a few albums of self-penned material often presenting well-honed performances. He’s also fond of a cover tune or six: his 2010 album ‘Dio’, in particular, did exactly what it said on the tin, with Lande putting his stamp on tunes originally brought into the public eye by the late, great Ronnie James, the results meeting critical acclaim. Some six years on from his Dio-fest, Lande’s eleventh studio album ‘Heavy Rock Radio’ finds the huge voiced Norwegian wheeling out more covers. This time, however, the results are sometimes questionable. So questionable in places, the disc could have perhaps been subtitled “Jesus Christ, How Did This Happen?”. The answer to that should-be-rhetorical question, of course, simply being “because he’s Jorn Lande”. As most people know, with Jorn you only get Jorn, and that means – whatever the material in hand – it’s very much a case of “dials up to eleven and needle in the red” all the way. In this respect, he’s very much made each of the cuts his own, but frankly, his choices don’t always work.

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PHANTOM 5 – Phantom 5

phantom 5The word supergroup can sometimes be overused, even applied to bands whom seem nothing of the sort, but Frontiers signings Phantom 5 fall squarely into that category, with every member having already made a name for themselves as part of a German melodic rock band. Vocalist Claus Lessmann will be best known to most as a founder member of Bonfire; Michael Voss recorded as a member of Demon Drive before joining Bonfire and touring with Michael Schenker; drummer Axel Kruse scored previous accolades with the much loved Jaded Heart and guitarist Robby Boebel first found fame as a member of the brilliant Frontline. That line-up alone would stand Phantom 5 in good stead with regard to past experience and future potential, but the addition of ex-Scorpions bassist Francis Buchholz is the icing on the Euro cake. In terms of German melodic rock line ups – short of including of Matthias Jabs – you’d be hard pressed to find a better band of brüders.

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THE SENTON BOMBS – Mass Vendetta

senton bombs lpTen years of label changes, line up changes and a decade’s worth of sweat led to the making of The Senton Bombs’ ‘Mass Vendetta’. On this fourth album, the Blackpool rockers deliver eleven tunes that recycle lots of classic influences, leading to a collection of songs that might just excite listeners who still hanker after dirty hard rock with an occasionally sleazy edge.

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