THE REAL GONE SINGLES BAR #129

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous couple of weeks. This selection is potentially amazing, with a track that blends a soul vibe with light psych, a very strong alt-pop number, a genre defying piece from an up and coming singer songwriter, a synth based slice of dream pop – and more besides. As always, we hope you find something new to enjoy.

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ECCE SHNAK – Backroom Sessions EP

The release of Ecce Shnak’s single ‘Jeremy, Utilitarian Sadboy’ in October 2024 marked a triumphant return for the most cult of art rock bands. Their first new recording in five years, the track shared something almost uncategorisable. Jumping from frenetic beats and rock riffs into post punk sounds, and eventually descending into a choir of voices sharing a warped carny melody, it packed more into three minutes than some bands manage over the course of entire albums. Their subsequent EP ‘Shadows Grow Fangs’ (released in February ’25) proved to be equally as inventive, sharing a half dozen numbers that seemed as keen to bemuse as entertain.

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ECCE SHNAK – Shadows Grow Fangs EP

When a band re-appears after a long time away, it often leads to fan apprehension. The return of a favourite act can be exciting, but what if the new material isn’t up to scratch? What if it’s really different from the old stuff? What if, as a listener, it’s your ears that have moved on, and you now crave different thrills? None of these concerns apply to the return of New York’s art rock band Ecce Shnak. The five years since their ‘Metaphorphejawns’ album assaulted an unsuspecting audience hasn’t diluted their desire to bend sounds into almost impenetrable shapes and, at its best, their ‘Shadows Grow Fangs’ (released in February 2025) presents material that’s as unclassifiable and inventive as ever.

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THE REAL GONE SINGLES BAR #82

This visit to the Singles Bar shares a whole wealth of inspiring sounds. Within the eight picks, you’ll find an unexpected tribute to easy listening from a familiar name, some contemporary French pop, something with a country rock influence from Australia, and a new twist on an old classic. You’ll also discover a couple of superb underground rock tunes that represent the heart of Real Gone’s regular coverage. As always, we hope you’ll find something new to enjoy…

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