THROAT LOCUST – Dragged Through Glass EP

This debut from American death metal band Throat Locust might only present three tracks, but in terms of being an effective CV, ‘Dragged Through Glass’ suggests immediate greatness. Taking elements of a classic death metal sound derived from Entombed, Bolt Thrower and Death, and fusing that with some of the heaviest groove metal touches ever, they have the subtlety of a truck, but in extreme metal terms, they could be the best band to emerge since Eaten By Sharks released their debut in a pre-pandemic 2019. Considering the release claims to be only a demo recording, that says a lot about how strong they already sound.

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Check out the current single from Carrion Vael

On August 12th, American tech/death metal band released their second album ‘Abhorrent Obsessions’, which quickly became a hit with their cult fanbase.  As part of the promotion for the album, they’ve released ‘Tithes of Forbearance’ as a digital single, along with an animated lyric video clip, which can be seen below.

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DEATHCOLLECTOR – Times Up EP

Despite changing fashions within the rock and metal community, there’s always been plenty of room for bands who like to keep things traditional. DeathCollector – a band bringing together English/Irish musicians and featuring an ex-member of Bolt Thrower – brazenly fly the flag for no nonsense trad death metal on their debut EP. There are moments where the death is peppered by other equally angry subgenres, but in the main, its three tracks bring together some massive riffs and a sense of force that calls back to many of death’s forefathers. The bulk of the material may be hugely retro, but between some impeccably played riffs and tautly wound, relentless rhythms, the band’s desire to draw heavily from the past sounds anything but stale.

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CULT BURIAL – Oblivion EP

On their self titled album from 2020, London’s Cult Burial served up an interesting mix of extreme metal sounds. Tracks like ‘Abyss’ and ‘Chaos’ assaulted the audience with a take on doom metal that injected the slowness with elements of blackened death and thrash, whilst the (relatively speaking) more melodic ‘Forever’ presented an ambitious hybrid of post-hardcore, thrash and black metal which pretty much sounded like no-one else. It seemed to be the kind of album where – assuming you could brace yourself for its onslaught and manage to absorb more than two songs at a time – it was possible to actually pick out different musical flourishes with each listen. Impressive, considering that on first hearing the whole thing seemed like a relentless outpouring of anger. One thing was for certain: their arrival had challenged Allfather and Kurokuma for the crown of “Britain’s Heaviest Band”.

Barely nine months on, the band began to hint at a follow up. It was to be a timely return; the UK had started to make their way out of a pandemic hell and the live music scene had started to gain some tentative traction. Massive riffs were certainly needed, and although their new EP would arrive too late to soundtrack the summer for a Bloodstock Festival crowd, Cult Burial were in time to hammer a new season into the advertised ‘Oblivion’.

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Goregäng cover White Zombie classic; share vaguely NSFW video

On April 30th, death metal duo Goregäng will release their new EP ‘Long Live The Grime’. Ahead of that release, they have a treat for you.

Their current single ‘Electric Head Part 1 (The Agony)’ is a cover of the White Zombie classic, treated faithfully but injected with a Goregäng twist via a death metal inflected vocal. Perhaps what’s most impressive about their choice of cover is the guitar sound; they’ve absolutely nailed the bottom end sound from J. Yuenger’s guitar that helped make the original cut so distinctive. What’s more, they’ve given the new recording a send off with the kind of trashy (and vaguely NSFW) video clip that Rob Zombie would surely approve.

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