VARIOUS ARTISTS – Ring The Bells & Sing: Progressive Sounds Of 1975

Whenever a new, yearly themed box of prog rock cuts gets released by Esoteric Records, genre fans automatically know they’re in for some great listening. Even when their ‘Underground Sounds’ and ‘Progressive Sounds’ anthologies merely recycle a world of album cuts, these affordable multi-disc sets create something that isn’t just well rounded; when approached in the right mood, they’re compilations which are incredibly absorbing. Whether approaching them from a nostalgic perspective or in the hope of discovering something new – hopefully both – these anthologies supply a huge amount of entertainment.

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Editorial Comment: Neil Young’s ‘Archives III’ – Unaffordable, Frustrating, Elitist

The world hasn’t had a shortage of “new” Neil Young material recently. Between the beginning of 2022 and July 2024, he’s released TWELVE different stand-alone titles, bulking up his already huge discography somewhat considerably.

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VARIOUS ARTISTS – Can’t Seem To Come Down: The American Sounds Of 1968

Between the release of The Beach Boys ‘Pet Sounds’ in May 1966 and the first Woodstock Festival in August 1969, the American rock and pop scenes went into overdrive. With the groundbreaking ‘God Only Knows’, Brian Wilson had shown how grand “pop” could be in the hands of a master; the birth of psychedelia meant that garage rock grew into something much bigger and more interesting than a selection bands churning out variants of ‘Louie Louie’, and the blues morphed into sprawling jams which birthed a generation of guitar heroes. A prolonged period of experimentation arguably reached its peak in 1968, with The Byrds releasing their last works with David Crosby (at least for a time), Moby Grape issuing a double LP (‘Wow/Grape Jam’), the arrival of Spirit’s debut (helmed by the fantastic ‘Fresh-Garbage’), The Velvet Underground’s ‘White Light/White Heat’ proving their Warhol overseen debut wasn’t just some arty fluke, and the Grateful Dead issuing their show piece ‘Dark Star’ as a single. Even Simon & Garfunkel got a little out there on their fourth LP ‘Bookends’, with their masterful folk-pop joined by the vaguely psychy ‘Punky’s Dilemma’, and feeling brave enough to include Art’s audio verité ‘Voices of Old People’ as a key album track.

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VARIOUS ARTISTS – Psych!: British Prog, Rock, Folk & Blues 1966-1973

The world isn’t short of great psych and prog themed anthologies. The fact is, if you’re a keen psych/freakbeat/early prog fan, you’ve probably got those Cherry Red sets bringing together a wealth of stuff from between 1967-69, the many ‘Rubble’ releases, and more besides. Why should you add another psych oriented release to your already solid collection of compilations? Simply that ‘Psych!: British Prog, Rock, Folk & Blues 1966-73’ brings together a wealth of great music in less of a scattershot manner. Its three disc, sixty four track selection celebrates the more “out there” releases from Decca Records and their Deram off-shoot, and in doing so, plays more like a journey through an ever changing landscape from a more focused perspective, showing how the label often found themselves at the forefront of one of history’s most exciting periods in music.

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