Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we bring you a fantastic number from a British alt-folk band, the return of some cosmic, psychy legends, a great piece of synth based material, some well crafted pop punk…and more. As always, we hope you find something new to enjoy!
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With influences ranging from indie, alt-country and psychedelia, Boston rock band Tiberius (not to be confused with the Scottish metal band of the same name) have labelled their sound “Farm Emo”. The fusion of styles colours most of their debut album ‘Troubadour’ in such a way that their music feels inherently “90s”, yet at the same time, the record’s finest tracks feel so much grander than mere throwbacks to that plaid dominated era.
The early recordings by Dinosaur Jr are among the band’s most critically lauded, but a case could be made for 1993’s ‘Where You Been’ being the band’s finest and most consistent work. The first album to feature bassist Mike Johnson (replacing Sebadoh’s Lou Barlow, following his well publicised falling out with Dinosaur main man J Mascis), its material took on a slightly more commercial edge at times. The word “slightly” is more than apt here, however, since J’s vocal drawl would remain a stumbling block for those not entirely sold on the band’s sound, and a couple of noisier workouts ensured the heart of “older” Dinosaur was never far away. Nevertheless, the album connected with a broader audience than some of the band’s prior works, with ‘Start Choppin’ breaking into the UK top 20, and the album’s promotion including an appearance on the BBC arts programme The Late Show on February 23rd 1993, just two weeks after ‘Where You Been’ hit record shop shelves.
In the summer of 2025, producer Charlie Nieland released ‘The Ocean Understands’, a four track EP that took him from the realms of the technical aspects of a behind the scenes role and into the performing spotlight. Mixing elements of dark pop, melodic rock, goth and shoegaze, the material took on a grand scope, and despite often sharing a moody edge, managed to remain very accessible. That’s more than can be said for this album’s opening number.
Margate’s debdepan shared a superb sound on their previous single ‘Habit’. By blending dance beats, light goth pop and a world of synth-based ingredients, the track sounded like the ultimate alternative club banger. It had the potential to make the listener want to hear more, almost immediately, and to be given the opportunity to lose themselves even further into the duo’s dark and electronica infused world.