Apart from the mighty Yes, few prog bands have a musical history as complicated as Big Big Train. Their 2023 incarnation features just one original member – band founder Gregory Spawton – but even bis role on board the prog rock locomotive has changed over the years. He’s transitioned from guitar based duties to playing bass and bass pedals, making him very much the anchor when it comes to live performance. The band weren’t always about performing in front of an audience, of course; for decades, they were notoriously gig-shy and it was only after the arrival of vocalist David Longdon in 2009 that BBT started to think very seriously about the possibility of returning to the stage.
Category Archives: Album & EP Reviews
VARIOUS ARTISTS – Round And Round: Progressive Sounds Of 1974
1973 was something of a banner year for progressive rock. That year, Pink Floyd released their billion selling ‘Dark Side of The Moon’; Genesis released a career best with ‘Selling England By The Pound’; a double whammy from Gong – ‘Flying Teapot’ and ‘Angels Egg’ – cemented their place in the psych-prog underground; both King Crimson and Emerson, Lake & Palmer released albums that would go on to become fan favourites, and Mike Oldfield became an instant national treasure with his ‘Tubular Bells’, despite his Piltdown Man scaring the shite out of a generation of small children.
MELVINS – At The Stake: Atlantic Recordings 1993-1995
After Geffen Records scored an unexpected commercial and financial success with Nirvana’s ‘Nevermind’ album in 1991, other major labels began to scour the Seattle area, convinced that the city and its surrounding towns would result in a similar brand of ‘Teen Spirit’. By 1993, around the time that Seattle Fever had reached its peak, pretty much every band who’d been name checked by Kurt Cobain or other important figures had made the leap from indie cool to bigger things. Even supposed second division acts like Tad found themselves signed to major contracts. Looking back, it could be argued that a lot of these bands didn’t quite have the impact the labels had desired, but these major deals certainly elevated their profiles.
SUNS OF THE TUNDRA – The Only Equation
Back in 2005, prog metal band Suns of The Tundra came to the attention of several die-hard Marillion fans when they supported Kino – a short lived musical project shared between Pete Trewavas and future Lonely Robot man John Mitchell – on their one and only tour. They immediately struck a chord with any Tool fans in the audience, but then seemed to disappear. Taking a decade long break between their second and third albums really didn’t help their career momentum, but from 2015, the band have worked steadily, creating interesting and rhythmic noises that add something of great interest to the UK scene.
PERSEKUTOR – Snow Business
The arrival of Persekutor at Blues Funeral Recordings marks something of a sidestep for the label. Often associated with stoner and classic doom metal sounds, the signing of this band brings them an unashamed metal outfit whose stock sounds mix black metal growling with the fearless chug of the slower end of groove metal, fused with the retro feel of the New Wave of British Heavy Metal.