GOAT MAJOR – Evil Eye EP

A little west of Birmingham – often said to be the birthplace of metal – their lies an entire country with an almost equally rich musical heritage in terms of rock music. In the 70s, Wales birthed the often overlooked Man, the underrated Budgie, and the should’ve been huge Lone Star. Lone Star’s second album ‘Firing On All Six’, whilst perhaps not as big as monolithic works by Deep Purple, is an easy match for any of the great material released by UFO or Uriah Heep. It’s been even less documented that the country has actually spawned a healthy stoner and doom metal scene. Spearheaded by the former Mammoth Weed Wizard Bastard (later MWWB) and Dope Smoker, there are a truckload of good, heavy riff-makers filling an opulent Welsh underground in the twenty first century.

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MAGNUM – Here Comes The Rain

Magnum’s twenty second studio album, 2022’s ‘The Monster Roars’, came as a welcome surprise. Although huge chunks of the record sounded exactly like the latter day Magnum that fans adored, a few of the tracks took a bit more of a bold move, musically speaking. There were moments where the usual pomp gave way to a bigger rock sound, and on the lead single ‘Steppin’ Stones’, Magnum showed off an unexpectedly soulful edge, proving that the veteran rockers – although often working in a comfort zone – still had a couple of newer tricks up their collective sleeve. In addition, Bob Catley’s vocals sounded stronger than they had in a while. Although the global pandemic had set the band back in terms of promotion, the rest from touring had obviously been beneficial.

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VARIOUS ARTISTS – You Can Walk Across It On The Grass: The Boutique Sounds Of Swinging London

The subsidiary labels within the Cherry Red family aren’t shy of mining the mod, soul and freakbeat archives in the name of a great compilation. The now defunct RPM issued a string of box sets, beginning with 2011’s ‘Looking Back’ and culminating with 2016’s ‘Looking Stateside’ which became a pleasingly comprehensive journey through an alternative 60s, and Strawberry Records’ similarly structured ‘Halcyon Days’ and its timely delivered follow up ‘I Love To See You Strut’ – issued in 2020 and 2022, respectively – proved equally essential.

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JOHN DUNBAR – What A Difference Indifference Makes

John Dunbar is a busy man. Between the beginning of 2020 and the end of 2023, he released two solo albums filled with retro pop, another two as a member of The John Sally Ride – a similar sounding pop outfit fond of humorous song titles (‘See Emily Work’, ‘Sheena Is A Prog Rocker’, ‘I Won’t Let Failure Go To My Head’) – and two more as Elvis Eno, exploring more experimental lo-fi work. Despite six albums and a bunch of one off singles appearing within a four year period, chances are, his name still isn’t familiar to you.

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GUIDED BY VOICES – Nowhere To Go But Up

In February 2020, Guided By Voices released their thirtieth full length album, ‘Surrender Your Poppy Field’. At the point where it appeared on record shop shelves, it was seen as just another album from the ever prolific Robert Pollard. At the time, nobody really knew it would be vastly overlooked due to the world grinding to a halt a few weeks later. As it turned out, though, the disc was far from the band’s best. It boasted a grand opening track, and shared a couple of other fine tunes within its thirty nine minutes, but in terms of exciting GBV fare, it seemed rather lacklustre compared to 2018’s ‘Space Gun’ and 2019’s ‘Warp & Woof’ and ‘Sweating The Plague’.

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