Back in 2013 Magnus Karlsson released an album entitled ‘Free Fall‘, a disc of hard rock collaborations with various guest vocalists that yielded mixed results. Mixed, maybe, but when those collaborations worked, in terms of classic hard rock, they hit the spot.
Category Archives: Album & EP Reviews
UMMAGMA – Frequency EP
Ummagma are a dream pop/shoegaze duo based in Canada. Despite gaining favourable press from the Russian edition of Rolling Stone Magazine, like so many bands of their style, they’re somewhat of an underground act. Their third release, ‘Frequency’ comes three years after their previous works and, if anything, is a far more chilled out affair. The five original tracks on this 2015 EP are slow burning, almost other worldly in their construction; tracks with a minimalism that really expects the listener to sit and lend a very close ear, for the tiny details are often where the magic lies.
VARIOUS ARTISTS – Electric Gathering
When it comes to hard rock and metal guitar playing. there’s a fine line between melodic, harmonious workouts and empty, soulless fretboard bashing for the sake of it. For every player who understands the importance of filling several bars with succinct and thoughtful soloing, there are a thousand John Petrucci wannabes who think – oft like Dream Theater themselves – that notes and flash are a thousand times more impressive than actual tunes…and just because we can see them pulling orgasm faces while bending strings at lightning speeds, we’ll somehow feel the magic too. They’re wrong, of course.
BILLY SHERWOOD – Citizen
In 2015, multi-instrumentalist Billy Sherwood found himself ahead of a rather daunting task. He was hand picked by his close friend, Mr. Chris Squire, to be the bass man for progressive rock legends Yes, after Squire – founder member and only constant – discovered his ongoing fight against leukemia would soon be lost. It was obviously a job he’d would rather not have, but given the circumstances, he was the most obvious and sympathetic choice. In many ways, the only choice. Sherwood’s links with Yes go back a long way, of course: he’d previously been involved with the band in an on/off role since the turn of the 90s, if anyone could fill the void and at least have half a chance of fan acceptance, it would be Billy Sherwood. Looking back even farther, Sherwood’s own music with Lodgic and World Trade had showed parallels with the more commercial sounds of Yes. The 1989 World Trade debut, especially, often sounded like the album Yes might have unleashed after ‘Big Generator’ had they continued along the shiny, techy, AOR-prog path.
