SALAD – The Lost Album, Vol. 1

It may have been snobbery due to Marijne van der Vlugt’s previous career as an MTV VJ, but the critics weren’t always so kind to Salad back in the 90s. Those who liked them, however – whether from a journalistic perspective or merely a fan – genuinely loved them. Between 1993-97, the band released a string of enjoyable EPs and two albums, but it was in the live setting where the band really shone, as anyone who saw them on a couple of Carter USM tours in 1994-95 will attest.

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KATE MICK – Undertow

A singer songwriter from Rhode Island, Kate Mick loves the banjo. In fact, she loves it so much, it’s the only instrument featured on her 2016 full length ‘Undertow’. The idea of voice and banjo alone has probably sent a few people running for the hills, but given time to adjust, there’s actually something about such a simple concept that works: not only is Mick adept with her chosen instrument, but she’s a fine songwriter. Recorded live in an otherwise empty theatre on one night, this album’s ten songs take a voyage into a land of extremely haunting Americanaville; a land populated by broken shacks, gas lamps and a real focus on introspection. It should be a much tougher listen than it actually is, but Kate has one of those voices that just lifts everything…a voice that’s steeped in sadness and yet still has the ability to woo.

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BILLY BRAGG – Bridges Not Walls EP

Billy Bragg has never been shy of voicing a political opinion. However, the collection of songs that makes up the 2017 EP ‘Bridges Not Walls’ might just find the singer-songwriter at his most consistently outspoken since 1988’s ‘Worker’s Playtime’. His overtly political stance isn’t without good reason, of course; following his album and tour with US folk musician Joe Henry, the world took a huge turn for the worse. In June 2016, the UK held a referendum on our position within the European Union. With the result favouring those who wanted to leave, the outcome seemed to be the ultimate gesture in cutting off the country’s nose to save face. A few months later, America voted in a new President – a man with absolutely no prior political experience – and the country slowly and painfully began to disintegrate. Both of these subjects colour these five songs to a great extent, and with Billy – often the voice of a questioning contempt – it’s a very interesting listen.

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JUSTINE AND THE UNCLEAN – Get Unclean

Combining members of Tom Baker’s Snakes, Upper Crust and Malachite, Justine and The Unclean already have a Boston bar band pedigree. The release of their debut single, the double a-sided ‘Love Got Me Into This Mess’/’Passive Aggressive Baby’ in the summer of ’17 represented some of the best female fronted pop-punk sounds in a long while, but there’s more to this nine song debut LP shows off more than that punky taster ever suggested.

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NO VACATION – Intermission

After a couple of false starts, demo recordings, line-up changes and gigs played under different names, this EP finally kick starts a career in fine style for No Vacation, a five piece dream pop collective from San Francisco. The pieces of music captured on ‘Intermission’ – representing their first full trip into professional recording – are things of beauty. These tiny nuggets of other-worldly pop will almost certainly appeal to those who miss Elastic Sleep or perhaps wonder what happened to London indie poppers Honey Moon.

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