When it comes to chosen names, ‘Box’ feels rather cheeky. This one man band’s work refuses to be kept tidy, or easily placed within a genre. Or any kind of box. Beyond “cold, arty rock”, the songs on ‘Born To Crawl’ refuse to conform to any label, and certainly don’t fit any pre-conceived ideas you may have about a musician who has previously been associated with US punks Poison Idea. There are moments that, perhaps, fall a little further in line with multi-instrumentalist Andrew Stromstad’s work with blackened doom band Atriarch but, again, at its best, the Box sound feels very different. It’s certainly less heavy and although it feels more experimental, it’s actually more accessible than some of his past works. The heart of Box definitely shares like a fresh sound for Stromstad, making it the perfect side project.
Category Archives: Album & EP Reviews
HATS OFF GENTLEMEN IT’S ADEQUATE – The Uncertainty Principle
In April 2024, prog band Hats Off Gentlemen It’s Adequate returned to the spotlight with a two track release helmed by the rather thoughtful ‘One Word That Means The World (Arkhipov)’. The first new tracks to appear in over a year, the digital pairing re-acquainted fans with the Gentlemen’s rather quirky and adventurous musical style.
LOOKING GLASS WAR – Saints Of The Lost And Found EP
Post punk fans paying close attention to the US underground in 2024 might have encountered Looking Glass War. The band – featuring Boston scene regulars Mike Ackley and Pete Ziegler – released a couple of impressive tracks which took their hybrid of post punk and goth sounds, as laid out on their 2023 EP ‘Where Neon Meets The Rain’ EP, and very much improved on them. These recordings demonstrated a much tighter command of a riff, but more importantly, captured frontman Goddamn Glen singing in a way that seemed more sympathetic to Looking Glass War’s needs.
THE SLEEVEENS – UFO’s / Bernadette
Released in February 2024, The Sleeveens’ self titled debut launched the band in largely great style. In a little over half an hour, potential fans were reeled in with the help of eleven punk ‘n’ roll numbers that, in the main, fused high octane riffs with a knowing sense of humour. ‘Give My Regards To The Dancing Girls’ provided the perfect opener with its combo of old school punk riffs and distorted vocals; ‘Aretha Franklin’ added a little more of a punk ‘n’ roll feel via a harder sounding guitar, and ‘Metallica Font’ served up pleasingly trashy riffs on an ode to teenage love. Best of all, a cover of The Undertones’ ‘Get Over You’ – dressed in a cloak of distortion – ended up sounding like The Sleeveens had dug up an old Real Kids track and given it a welcome kick. Unfortunately, it wasn’t the perfect debut: the over-long, mid tempo ‘Dry Cider’ did some serious damage to the middle of the album, not just through dragging the mood, but also due to offering some unwelcome lyrical content: a weird, outdated reference to “The Handicap Association” suggested that The Sleeveens really did believe they were still living in 1977. [According to the band, the lyric is based on a real life story from several years ago which puts things in a clearer context, but it doesn’t stop archaic words jarring with a modern ear.]
Listen: Check out ‘Juggernaut’, the current single from Tiberius
When you call your single ‘Juggernaut’, you’re certainly not expecting your audience to take it lightly. …And, indeed, many of the riffs that power the current track from Tiberius hit their audience like a truck.