HAWKESTREL – Chaos Rocks

Another branch of the complex and ever evolving Hawkwind family tree, Hawkestrel is a space rock project masterminded by ex-Hawks man Alan Davey. His vision to create an ever shifting line up to bring his music to life has previously involved other Hawkwind alum Nik Turner, Bridget Wishart, Simon House, Huw Lloyd-Langton, Ginger Baker and the mighty Lemmy. The fact that the ex-Hawkwind and Motorhead bassist managed to appear on the debut album three years after his passing flags up the potential problem with the band’s recordings, in that – much like Cleopatra Records’ other “all star projects” – they’re very much cut ‘n’ paste affairs, and don’t always hang together as well as you might hope. However, when they’re good, they’re very good.

Continue reading

VANDEN PLAS – The Empyrean Equation of Long Lost Things

When it comes to prog metal, there are few bands as consistent as Vanden Plas. Like many of their peers, the band are able to deliver the expected heaviness and complexity, but marking them out from others on the scene, these German musicians often display a strong sense of melody. That doesn’t necessarily make their work entirely accessible or commercial – prog metal is always a marginal subgenre on that front – but an on form VP feels so much more streamlined than most. Even when approaching massive concept works like ‘Chronicles of The Immortals’ or the excellent ‘Ghost Xperiment’, their decision to split these epic works into separate volumes made their bombastic traits far more digestible. The likes of the ego driven Dream Theater would’ve likely released each one as a double CD and added more material to create one of their preferred full three hour borefests each time.

Continue reading

SAHAJI – Future In The Sky EP

Sahaji first came to relative prominence due to a music competition staged by Yamaha, but these recordings are set to take the Japanese brothers to the next level. The three tracks that make up the very enjoyable ‘Future In The Sky’ EP draw from some classic influences; with hints of a 60s love colliding with a huge debt to the bigger players from the Britpop scene, the material comes with a hugely nostalgic bent, but the arrangements sometimes play for something much grander than an easy throwback. Working with renowned producer engineer Nick Brine – a man whose previous credits include working with The Stone Roses, Ash and Teenage Fanclub – has certainly helped create a great sound on this first UK release.

Continue reading

LIFESICK – Love And Other Lies EP

Danish band Lifesick mightn’t have reached a household name status by the beginning of 2024, but they’d definitely marked out a place as one of the cult acts within the European underground. Four releases into their career, they’d already become somewhat of a fixture on the Scandinavian festival circuit, had associations with the legendary Southern Lord label (sometime home of Boris, Goatsnake, Mondo Generator and others), and already shown a great gift for brutalist hardcore riffs.

Continue reading

NEWMOON – Temporary Light

  1. Newmoon strike a perfect balance between atmospheric riffs and blankets of noise on their third album ‘Temporary Light’. The Belgian band have long been a part of the underground shoegaze scene, but it can be argued that it’s taken them a while to hone their art, and create something truly worthy of the genre’s mid 90s peak. This record is exactly that. This is a love letter to the stylistic past of a world driven by distortion pedals and hazy, fuzzed out soundscapes, yet at the same time, a set of tracks that sounds wholly relevant in the era in which it was created. If not quite a “genre classic” in the truest sense, it’s certainly the kind of record that those deeply into one of rock’s more malleable genres can take to their hearts.

Continue reading