TRAVELS WITH BRINDLE – No. 1 In Heaven

When covering other people’s material, there’s no point in phoning it in, and creating something that’s a flat but respectable reconstruction. It’s much better to make things your own, and re-imagine everything from the ground up – as with Type O Negative’s ‘Summer Breeze’ and Lalo Schifrin’s frankly bizarre disco rehash of the ‘Jaws theme, just to give a couple of great examples.

This concept isn’t lost on singer songwriter Chelsea Spear and her solo ukulele pop project Travels With Brindle. Their 2025 release ‘Number One In Heaven’ takes the bulk of the Sparks 1979 LP of the same name and melds it in her own image. Taking the six songs and stripping them down to basics, Spear allows for a closer inspection of some basic melodies. But does it work?

Continue reading

VOLT RITUAL – Swamp Lake City EP

From the moment their self-titled release arrived on Bandcamp in 2022, Polish doom/stoner/space rock band Volt Ritual proved to be an act headed for greatness. Whether channelling Black Sabbath on that debut, or putting elements of Hawkwind and Neu! through a much heavier filter on their ‘Return To Jupiter’ follow up, the musicians never sounded anything less than a hundred percent committed to delivering the riffs.

Continue reading

THE DANIEL JAMES GANG – Darkness Over This Town EP

On one of his social media channels, near the beginning of 2025, musician Daniel James mused how he was always busy. So busy, in fact, that he barely had time to sleep. At that time, he was a member of at least four bands – including Indonesian Junk (who’d just embarked on a hiatus) and reformed punkers Chinese Telephones.

Continue reading

NEGATIVE THIRTEEN – Recover What You Can

On their full length release ‘Mourning Asteri’ from 2022, Negative Thirteen tapped into a brilliantly heavy sound. The bulk of the material fused classic doom metal riffs with a sludgy aesthetic which resulted in a well orchestrated, uncompromising record. Unlike some doom-sludge acts, though, the album flaunted a brilliant production job which placed as much interest on the bass as the sledgehammer guitar parts. It could be argued that the material often valued massive riffs over any kind of immediacy, but there was no doubt that this band meant business.

Their 2025 follow up, ‘Recover What You Can’ is often just as heavy, but with a couple of tracks favouring an epic length allowing the doomy band more room for manouevre, it sometimes feels as if Negative Thirteen haven’t so much “branched out”, but descended even more deeply into their own world of sludge derived sounds.

Continue reading

THE JOHN SALLY RIDE – Melomaniacs

Throughout their fifth album, power pop band The John Sally Ride explore various different topics that’ll be familiar to the obsessive music fan. You’ll find songs here that recall a big “leap forward” in terms of available formats (‘The First Time On CD’), tread the fine line between apprehension and excitement when a much-loved band returns after time in the wilderness (‘Their New Album’), and celebrate the importance of lyric sheets in a pre-internet age.

Continue reading