PLECTO ALIQUEM CAPITE – The End EP

Beyond calling it “art metal noise”, the music of Plecto Aliquem Capite is hard to define. It’s been called “next level black metal”, but it’s often hard to hear how such a claim was made. The four tracks on their 2016 EP ‘The End’ have a few black metal traits in some of the riffs, but that’s all. ‘The End’ presents the worst excesses of art metal, of avant garde clanking and of general ugliness. It’s possible to suggest that even those who like a musical challenge will be affronted by most of what’s being offered here.

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Guided By Voices to release ‘Zeppelin Over China’ in February; announce first UK show in 15 years

Lo-fi indie legends Guided By Voices are set to release their twenty seventh studio album in February 2019.  Scheduled for release on the 1st of the month, the mammoth thirty two track ‘Zeppelin Over China’ will be, unbelievably, the Ohio legends’ tenth album since releasing ‘Let’s Go Eat The Factory’ in 2012.

In addition, there’s more great news for UK fans, since Robert Pollard and company have confirmed a UK visit.  Since their appearance at All Tomorrow’s Parties in 2011 was cancelled, this will be the first UK GBV gig in fifteen years.

More details on the new album and gig, along with a link to a streaming track can be found in the press release below.  Real Gone’s review of ‘Let’s Go Eat The Factory’ can be read here.

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ALTHEA GRACE – Dreamers EP

Experience comes with age, or so they say, but once in a while an artist emerges whose experience totally contradicts that theory. Still in her teens at the time of this EP release, singer-songwriter Althea Grace has already shared stages with The Shins and Doyle Bramhall II (the blues guitarist most famous for being sideman to both Eric Clapton and Roger Waters) and caught the attention of Sheryl Crow.

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DEBT NEGLECTOR – The Kids Are Pissed EP

Orlando four piece Debt Neglector’s 2018 EP ‘The Kids Are Pissed’ constantly treads a very fine line between angst and melody to bring six tracks that are often as big on chorus hooks as they are on riffs. For those who still lament No Use For A Name’s shift into a poppier realm (and subsequently their untimely demise), or love Hateful Monday, this is a must-hear.

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