VARIOUS ARTISTS – Think I’m Going Weird: Original Artifacts From The British Psychedelic Scene 1966-1968

Since the label’s launch in the late noughties, Grapefruit Records has worked tirelessly to bring top quality reissues to fans of cult 60s and 70s sounds. Thanks to their archive digging skills, previously unaffordable vinyl albums by Skip Bifferty and Picadilly Line were no longer an extortionately priced mystery; Jeff Lynne’s early years with The Idle Race were reappraised, and dark psych combo Zior reached the ears of many people for the first time.

For all of their well loved archive releases, it’s a trilogy of psych themed box sets featuring hits, misses and rarities from 1967 (‘Lets Go Down And Blow Our Minds’), 1968 (‘Looking At The Pictures In The Sky’) and 1969 (‘Try A Little Sunshine’) that best advertises the label’s eye and ear for great reissues. With that in mind, it seems only natural that the label would raid the archives of psychedelia’s peak years for their hundredth release, and ‘Think I’m Going Weird’ is Grapefruit’s biggest and most adventurous release to date. With over 120 tracks spread across five discs, a larger format book sharing a wealth of important historical detail and rare photographs (with no obvious overlap from the previous 60s psych sets) this British take on ‘Nuggets’ is something of a jewel in the label’s crown.

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THE HEARTDROPS – Three Songs EP

Although their name might not be among garage punk’s most familiar, The Heartdrops released a couple of enjoyable albums back in the late 90s. Their debut, ‘This Is The Heartdrops’ (issued on Melted Records in 1997), served up a relentless collection of riff-based numbers, almost guaranteed to make an indelible impression. The band never got the big break they deserved at the time, but the internet has always been a handy tool for rediscovering overlooked artists and lost gems, and this three track freebie is a superb introduction to The Heartdrops’ world of riffs. The three songs were originally issued on a shared EP with The Spills in ’99 – effectively the band’s swansong – but decades on, the tunes sound as good as ever, and certainly don’t sound like the work of a band that would soon throw in the towel.

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VARIOUS ARTISTS – Breakthrough: The Underground Sounds Of 1971

According to music historian and author David Hepworth, 1971 is “rock’s most exciting year”. There are a lot of music fans of a certain age who would agree with that: those keen record buyers who still treasure well worn copies of Uriah Heep’s ‘Salisbury’, Caravan’s ‘In The Land of Grey & Pink’, Hawkwind’s ‘In Search of Space’ and Rory Gallagher’s ‘Deuce’; people who’d hit their early twenties in time to hear Pink Floyd’s ‘Meddle’ and Emerson, Lake & Palmer’s ‘Tarkus’ with fresh ears when the sounds of those hugely indulgent arrangements sounded like the future; and certainly not forgetting those for whom the first three Black Sabbath albums heralded the arrival of a whole new genre, but arguably hit perfection in ’71. There’s a lot of further weight to be added to the argument that 1971 is musically significant, with lesser known albums by Samurai and Jade Warrior propping up the art-rock scene, The Zombies’ Colin Blunstone delivering an absolutely killer solo debut with ‘One Year’ and Phil Collins making his first major appearance with Genesis. All of that barely scratches the surface, of course, but it’s fair to say there was always far more to 1971 than Led Zeppelin’s monolithic fourth platter and ‘Who’s Next’.

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THE WALK OFFS – Sorry For Nothing EP

Formed by ex-members of San Antonio bands Muscle Car and The Debasers, The Walk Offs are a retro sounding rock band, heavy on the bar-room sound. Following on from their 2019 EP ‘Jump In The Front Row’, ‘Sorry For Nothing’ cements their commitment to blue collar rock with six songs that fall somewhere between Nat Freedberg’s finest tunes and The Replacements in a nonchalant mood. It isn’t edgy, but in terms of delivering a succession of old school riffs and solos, it’s the kind of release that’ll score highly with fans of the style.

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LORDS OF BLACK – Alchemy Of Souls, Part II

After his associations with Ritchie Blackmore came to an end, vocalist Ronnie Romero didn’t take any time out to reflect on the loss of his highest profile job to date. Instead, he threw himself further into his work. In 2020 he reconvened with his old band, Lords of Black, and released the heavy, semi-theatrical ‘Alchemy of Souls, Part 1’; gained a job as frontman with the new-look Vandenberg; forged associations with Michael Schenker’s revolving cast of stars, and became a member of Milan Vrabevski’s Intelligent Music Project. For most people, this would already represent too much of a heavy workload, but on top of that, Romero also took on the job of being Joe Lynn Turner’s replacement in the much-loved Sunstorm. Their sixth album ‘Afterlife’ (released in the first half of 2021) was much better than it had any right to be, and cemented Ron’s reputation as a reliable and committed performer. One thing was for certain: he didn’t need Blackmore.

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