Formed in 2012, The Prog Collective purports to be the world’s biggest prog rock supergroup. The idea of “supergroup” suggests musicians taking a permanent role; for this band, the reality is somewhat different. Yes, there are a lot of different musicians involved, but many of the famous faces signed up for the Collective only ever play on one or two tracks each. In that respect, as has previously been pointed out, this is just another vehicle for the multi-talented Billy Sherwood to present material that doesn’t necessarily fit his day job as Yes bassist/arranger. That isn’t necessarily a bad thing, of course – the likelihood of Steve Hillage, Richard Page and Dweezil Zappa ever being invited to a Yes recording session is less than zero, so Sherwood’s extra-curricular project is more than valid.
Category Archives: Album & EP Reviews
VARIOUS ARTISTS – What A Groovy Day: The British Sunshine Pop Sound 1967-72
Over the years, Cherry Red Records and their vast array of subsidiary labels have been responsible for releasing some great box sets centring around 60s and 70s material, but ‘What A Groovy Day: The British Sunshine Pop Sound 1967-72’ is potentially one of their most quirky. By throwing a light on an era when single releases were still considered important, it guarantees a great listen full of pop laden treats. but It also provides an easy opportunity to rediscover various oft-forgotten or unknown three minute nuggets when digging deeply into the archives. As always, by mixing the cult with lesser known tunes by familiar faces, it’s the kind of Cherry Red release that should appeal to a broad spectrum of retro pop fans.
SCARLATAMUSIC – Skatepunk EP
John Scarlata began his journey as a guitarist in the 90s as a young man who wanted to “jam along with his favourite metal songs”. His talents grew, and eventually he’d mastered the art of fretboard manipulation, but any musical success was slow in presenting itself. Eventually, he self-released a debut track, ‘Metal-Baby’, via Bandcamp, which showed him to be someone capable of wielding a really big musical tone. The track’s multi-layered guitar sound and influences from old thrash tracks were a classic metal fan’s dream. Unfortunately, Scarlata’s vocal did the recording no favours. At odds with some great riffs and shredding elements, he sounded like a man shouting on a mobile phone’s answering machine.
TEN – Something Wicked This Way Comes
Ten’s fifteenth studio album ‘Here Be Monsters’ was easily the band’s finest collection of songs in many a year. Although a lot of their post-Chris Francis albums are home to some great tracks, Ten’s later output, when taken as a whole, sometimes feels patchy or like a band desperately trying to recycle old glories. ‘…Monsters’ was a cut above. It’s choruses were often great; the music had a sense of fire that had been partly absent for a while, and the vocal contributions from the great Gary Hughes were especially good throughout. With all of that in mind, 2023’s ‘Something Wicked This Way Comes’ had a lot to live up to. The fact that the songs were recorded in tandem with ‘Here Be Monsters’ automatically stood the record in good stead, but would it merely made up from the tracks that weren’t good enough to make the cut almost a year earlier?
HEROES AND MONSTERS – Heroes And Monsters
Although formed as a new band in 2022, Heroes And Monsters features three very established musicians. Guitarist Stef Burns will need no introduction for a lot of rock fans, having played with Alice Cooper and Y&T in the 90s. Bassist Todd Kerns mightn’t have reached household name status in the UK, but he’s also been a member of Alice’s touring band, recorded with Slash, and been an integral part of big selling Canadian alternative rock band Age of Electric. With Evanescence/Black Label Society man Will Hunt occupying the drum stool, Heroes And Monsters have a great pedigree, even before taking their music into consideration.