Released two years after their ‘Ceremony of Suffering’, this second EP from North Dakota’s No Divinity presents a big step forward for the band. Its four songs still feature the huge riffs that their fans have come to recognise, but they’re used in much broader strokes for an increased heaviness. This time out, the band have dispensed with the sub-two minute hardcore blasts, and instead concentrated on their longer, heavier jams – in the vein of ‘Splinter’ – to bring the best out of an intense, crushing guitar sound. More importantly, it comes with some massive production values that help to make their crossover hardcore sound even bigger than before.
Category Archives: Album & EP Reviews
VARIOUS ARTISTS – Meddle Reimagined
Pink Floyd’s sixth album, ‘Meddle’, is regarded as a prog rock masterpiece. The band had released enjoyable works prior to its release in 1971, but ‘Meddle’ is arguably the first album where all of the “classic Floyd” ingredients came together to create something coherent. David Gilmour has referred to it as the first album since his appointment as guitarist that really made sense, and – as enjoyable as bits of its predecessors are in their own weird and wonderful ways – it’s hard not to argue with that logic. The thunderous bass groove driving ‘One of These Days’ very much looks forward to parts of ‘Animals’; in Gilmour’s ‘Fearless’, there’s a melodic prog songcraft that he would take forward and make the heart of ‘Dark Side of The Moon’ and even the post-Roger Waters ‘Division Bell’, and via the mighty ‘Echoes’ – a side long epic – bits of the Floyd’s soundtrack recording past collide with huge solos, and there’s even a melodic phrase that would be reworked a few years later to become one of ‘Dark Side’s timeless musical touchstones. Unfortunately, there’s the lazy blues of ‘Seamus’, too – something that undoubtedly grew from their Pompeii animal cruelty jam ‘Madamoiselle Nobs’ – but very few albums are perfect.
EVOLETAH – Calliope Dreaming
Evoletah’s 2020 release ‘Run With The Hunted’ wasn’t quite as well rounded as their previous offering, the absolutely stunning ‘We Ache For The Moon’, but it took the Australian band further into a world of introspection in a way that, if approached in the right mood, showed off some great atmospheres. With no help from a mixed up world, it took Matt Cahill and Ben Johns three years to craft a follow up, and much like its slow gestation period, 2023’s ‘Calliope Dreaming’ is in no rush to grab the audience’s attention. Although a slow burning listen, it continues an interesting journey transitioning further from a landscape of adult rock and pop into a world of downtempo grooves and jazz/lounge inspired sounds. Despite being even more laid back, it’s actually a better album than ‘Run With The Hunted’, which proves that Evoletah aren’t stuck in a rut, or cursed by a feeling of diminishing returns.
MIDNIGHT TRIPPER – Paranormal EP
Released just a year after their ‘Ride The Wave’ EP, ‘Paranormal’ continues Canadian metal band Midnight Tripper’s journey through a world of heavy riffs, and if anything cranks the volume and tension, ensuring an even noisier experience than before. There’s something inherently classic about their chosen sound, but it doesn’t take a predictable 80s route. Instead, the best bits of this EP fuse classic metal with a strong rock ‘n’ roll ethic, creating material that’s aggressive and grubby, but above all, conveys a high octane feeling of fun.
YAWNING BALCH – Volume One
As their name more than implies, Yawning Balch is a musical project that combines the talents of the entire Yawning Man band and Fu Manchu guitarist Bob Balch. Stoner fans have come to expect great music from both parties, but in their respective acts, neither have managed anything quite as drawn out as the sounds that fill half of this debut from the desert/stoner rock supergroup. Fu Manchu, especially, have often represented the accessible end of the stoner spectrum, so this really gives Balch an ideal landscape on which to stretch out.