Following a string of relatively commercial albums throughout the 90s, The Fall’s music took on a massive shift in the early 2000s. Aided by an entirely new band, Mark E. Smith went back to rough and ready garage rock basics for 2001’s relatively lo-fi ‘Are You Are Missing Winner’.
Despite being a new band at the time of this release, Beebe Gallini features a few familiar faces from the garage rock scene. Miss Georgia Peach (vox/rhythm guitar) and Travis Ramin (lead guitar/drums) of the Minneapolis band The Short Fuses have joined forces with Strumpet bassist Amy Larson Pearson, but in many ways, this side project is far more than an extension of their previous work. In fact, although first impressions may suggest something more ragged, Beebe Gallini are still broad in appeal. Their five track digital affair ‘East Side Story’ is a fun but ragged affair. Despite any potential roughness, it’s a great showcase for the band in that it shows a massive respect for the past with a couple of top notch covers, and also an optimism for its future with a couple of self-penned rockers that cling onto a similar style. By combining new material and old classics, they truly aim to pull in listeners from far and wide.
At the beginning of 2021, Black Pistol Fire released their sixth album ‘Look Alive’. A hugely welcome return for the garage/blues rock duo, it was their most commercial recording to date with a fuller sound drawing more influence from The Black Keys than their previous Jack White obsessions.
In an era where digital singles and playlists have gained as much traction as full albums, American death metal band Eye of The Destroyer have promised “new music once a month for the foreseeable future.” This could be a good move for the band, since at a time when gigs are still off the table, it keeps them out there in the minds of underground metal fans.
When The Almighty opened the Donington Monsters of Rock Festival in 1992, they sounded like a band ready to take on the world. Their second album, 1991’s ‘Soul Destruction’ had been hugely popular among UK rock fans and despite a key line-up change that saw guitarist Tantrum replaced by Alice Cooper sideman Pete Friesen, their third album – the soon to be released ‘Powertrippin’ – further showcased a band that seemed absolutely unshakable.
…And indeed, upon its release, the reviews for ‘Powertrippin’ were hugely positive. With its heavier stance and some brilliantly crafted songs, it quickly became a fan favourite. Peaking at #5 on the UK album chart, it also became The Almighty’s biggest commercial success. It clearly wasn’t successful enough for the label bigwigs, though, as Polydor Records dropped the band the following year.