The Great 70s Project: 1975

At the midpoint of the decade, 1974 appeared to have no definite dominant genres, but that allowed for a very varied singles chart.  1975 very much follows that trend, but pushes some of the focus back to great albums.

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ROGER WATERS – Is This The Life We Really Want?

Roger Waters, ex-Pink Floyd bassist, songwriter and heavy-handed social commentator, released his third solo album, the rather grand ‘Amused To Death’ in 1992. A concept piece about media propaganda and news coverage, the album was one of the best sounding records of the year. It blended a few familiar Floydian motifs with the more atmospheric elements of his own ‘Pros & Cons of Hitch-Hiking’ and resulted in a cult classic. From then on, very little was heard from Waters with regard to studio material. It was perhaps wise to take some time out, of course, for to follow such a near-perfect record (at least for the style) would have been a fools errand.

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MISSILES OF OCTOBER – Better Days

Belgium’s Missiles of October have been cranking out their own brand of post-hardcore/noise rock since 2012. Approximately five years on from that time, the self-proclaimed “three old guys” are still very much an underground act, gleefully making listeners’ ears bleed whilst recycling various familiar influences. Their 2017 release ‘Better Days’ really drives home their love of retro hardcore, Jesus Lizard-esque angular art rock and more, in a package that some will find hard to swallow and yet others will lap up with twisted merriment.

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The Great 70s Project: 1974

Maybe as a reaction to the previous year, though maybe just coincidence, 1974 didn’t have the all round focus of it’s forebears.  Whereas 1973 had been a home to various albums that have spanned generations, ’74’s best strengths were in the singles market.

Bowie’s escalating drug habit left him with ideas of an unfinished musical and an album that’s arguably his most unfocused of the decade.  ‘Rebel Rebel’, however, remains a great and enduring single cut, brimming with the last vestiges of glam.  Lulu did an excellent job of covering ‘The Man Who Sold The World’ and ‘Watch That Man’, filling both sides of an essential 7″, Ace’s ‘How Long’ – while easily dismissed as soft radio filler has stood the test of time and now sounds like a near perfect piece of songcraft, while everyone’s favourite ragamuffin, David Essex, topped the UK chart with a smart and disposable single about making disposable pop music.

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It Was Fifty Years Ago Today… The Continuing Saga of Sgt. Pepper

It was fifty years ago today…that the world was first introduced to Sgt. Pepper. It’s hard to imagine, at this point, that there was even a time when the album didn’t exist. Whether you consider yourself a fan or not, for the past two generations the album has become omnipresent. Two generations of people have loved it and hated it, while those who have yet to hear the record itself will still be aware of it’s presence. Visiting a record shop, there’s a good chance that its technicolor collage artwork will be seen. It’s always there; for most of us, it’s always been there.

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