VARIOUS ARTISTS – Wish You Were Here: 50 Years Later

In 2024, Pale Wizard Records did the unthinkable. They pulled together a bunch of underground rock bands and had them each contribute a track to a 50th anniversary tribute to Sparks’ career defining ‘Kimono My House’. Since none of the bands had much in common with Ron and Russell Mael’s distinctive and visionary sound, it shouldn’t have worked. With that record, Pale Wizard managed to pull off the even more unthinkable: they not only masterminded a very different take on an old classic, but they had the balls to know it would work on its own merits.

A year on, could they achieve similar greatness by asking some of the same faces to put their own stamp on Pink Floyd fan favourite ‘Wish You Were Here’? In terms of tall orders, that’s positively gargantuan when none of the clientele come from the school of prog rock. The featured artists don’t even have a “classic” sound in most cases. Nevertheless, everyone gives the material a square go, for better or worse.

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VARIOUS ARTISTS – Punk Me Up: A Tribute To The Rolling Stones

From Cleopatra Records, the label that gave you ‘Punk Floyd’, a punk tribute to Pink Floyd, comes ‘Punk Me Up: A Punk Tribute To The Rolling Stones’, a release that brings together many of the same bands, and applies a similar no-frills approach to the material in hand. The presence of the same names here strongly suggests that the material was likely recorded at the same sessions for the Floyd tribute and for the fans of some of those acts – Jah Wobble, Fear, Angry Samoans, Skids, et al – their return here will be welcome, since this is another release that potentially offers a couple of interesting collection fillers.

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Video: Billie Joe Armstrong shares ‘Black Haired Girl’ from upcoming Jesse Malin tribute disc

Billy Joe Aemstrong needs no introduction. He’s also no stranger to a great cover tune.

His newest recording ‘Black Haired Girl’ takes an old Jesse Malin track and gives it a kick via a very recognisable vocal. With a top notch production bringing out the track’s solid bass groove and Armstrong’s trademark style lending more of a power pop slant, it actually improves upon the original cut where Malin’s own huge drawling tones drove the number with a little more of a retro rock feel.

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VARIOUS ARTISTS – Kimono My House: 50 Years Later

From the label that brought you 50th Anniversary tribute albums covering Alice Cooper’s classic ‘Killer’, Bowie’s absolutely legendary ‘Ziggy Stardust’, and Budgie’s oft-overlooked ‘Never Turn Your Back On A Friend’, comes something way more…outlandish. Bringing together various acts from the rock and metal underground, ‘Kimono My House: 50 Years Later’ re-imagines the 1974 Sparks album. As you might expect, the results are mixed. As you’ve probably already guessed, very few of the bands have been brave (or should that be foolhardy?) enough to imitate Russ Mael’s legendary falsetto. It remains unclear whether any of the musicians have taken the method route and grown toothbrush moustaches to enhance their involvement. What we have here – somewhat against the odds – is a very interesting record.

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VARIOUS ARTISTS – Burn On The Bayou: A Heavy Underground Tribute To Creedence Clearwater Revival

Unless you happen to be Robert Pollard/Guided By Voices or Buckethead and have a blatant disregard for quality control, recording and releasing eight studio albums over a five year period is probably really difficult, if not impossible. Creedence Clearwater Revival not only managed that task between 1968-1972, but in ‘Green River’, ‘Willy & The Poorboys’, and ‘Cosmo’s Factory’, they managed to deliver a trio of cast iron classics. The latter is an album still beloved by millions; a soundtrack to a generation.

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