Real Gone’s End of Year Round-Up, 2018

In 2018, Real Gone celebrated its ninth birthday. It’s been a long and hard road to this point, but we’re pleased to be celebrating our most successful year online to date. Hundreds of new albums have been heard and a record number of gigs have been attended. Not only has this year been our biggest success…it’s also been our favourite.

Nearing the close of 2018, it’s time to look back and celebrate our favourite events – including our top ten  album releases…

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Normally, each year has an album that’s a clear stand out. Making that distinction this time around has been somewhat trickier, so we’re awarding a joint “album of the year” to two very different albums. If that seems like a cop-out, we don’t care…there really was only a hair’s breadth between them.

Drum roll…

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Hit The North: Real Gone meets Paul Hanley

For most people, Paul Hanley will be best known as the drummer with The Fall during their “two drummers period” between 1980 and 1985. He is currently a member of Brix and The Extricated, a band comprising several ex-Fall members. In the last quarter of 2017, Paul’s book ‘Leave The Capital’, in which he looks at the history of various recordings made in Manchester, was published by Route Publishing. In March 2018, Paul met with Lee from Real Gone to discuss ‘Leave The Capital’ and more besides.

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A Beginner’s Guide To The Fall: The Essential Albums

John Peel – The Fall’s biggest and outspoken fan – famously claimed they were “always different, always the same”. In many ways, Peel was right. With each new Fall album, you could never guarantee you’d like all of the material; you couldn’t even guarantee you’d remember any of the material after the album finished, but through it all, there would be Mark E. Smith, founder and only constant member, gleefully bamboozling the listener with rambling, obtuse lyrics. A lyricist and performer like no other, Smith’s work balanced precariously between the utterly mundane and bizarre, humorous and spiteful. Such a one-off proposition that even imitators could never quite match his unique style.

Smith steered his artistic vision through forty years and over sixty members. Sometimes the addition of a new band member or even Smith’s current mood could change the sound and fortunes of a new Fall record. The Fall back catalogue is one of the most daunting of any band’s, comprising of thirty two studio albums, as many live albums and over forty compilations to date. Given that Smith himself cared nothing for quality control and released material at a frighteningly prolific rate and then expected fans to work at reaping their own musical reward, finding the genuinely brilliant material within The Fall’s oeuvre can be like panning for gold, especially for newer listeners.

Here is Real Gone’s guide to The Fall essentials!

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MARK E. SMITH – The Post Nearly Man

Modern Energy…and what it means to you and I” spouts Mark E Smith at the beginning of one of the tracks on this CD. A man with a skewed take on life, you may be forgiven for thinking a spoken word release from The Fall’s front man (and only constant member) could be an interesting prospect indeed. He goes from mentioning energy – something this collection of ramblings severely lacks – to mentioning Richard and Judy and then “Fred West’s sweaty family” in the space of less than a minute. As he does so, it becomes obvious that rather than being an outing of interesting beat or slam poetry as championed by Tom Waits, Henry Rollins or that under-rated wordsmith Mike Doughty, this is little more than a vanity project from a man who’d rather confuse and frustrate than entertain.

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