Towards the end of the first quarter of 2025, Bristolian indie rockers Oswald Slain released their debut EP ‘Kiss Me On The Mouth’, but this wasn’t the first time some of the band members had been in the spotlight. Guitarist vocalist Charlie Fitzgerald and drummer Rhii Williams had previously released material under the name Little Thief, and delivered one of 2021’s best albums. Realising they’d taken Little Thief’s garage rock sound as far as it could go, they teamed up with other musicians and branched out. Not that some of Oswald’s debut was massively far removed from the old sound; Fitz’s vocal retained a distinctive edge, and a couple of the songs definitely sounded like a logical extension of the Little Thief world. Nevertheless, ‘Kiss Me…’ was a strong first outing, and keeping the wheels greased, the band delivered an equally enjoyable follow up single ‘Firing Line’ barely a couple of months later.
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Real Gone Presents: A Boston Round-Up, October 2025
As the Real Gone inbox continues to fill up, Boston continues to be a city that delivers a huge amount of new music every month. This trip back to the US will reacquaint people with a few familiar names: Lovina Falls presents some terrific alt-pop, Tiberius share a moody number that showcases their low key approach really effectively, and scene stalwarts The Dogmatics show their more melodic side on a great single. There are new faces to be discovered too, with a band celebrating a perfect post punk sound, a slice of reggae to remind you of the summer you’ve just left behind, and something dubbed “low rock”, which blends genres in an interesting way. We’re sure this lightning tour with the some of the city’s cult acts will see you coming away with a couple of new favourites!
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CHEAP FIX – Soul Tune / Dead Mouth
‘Re-Animator Blues’, the first release from Texan garage punks Cheap Fix, really didn’t mess around. The two track 7” hit their potential audience with two speed driven bangers that valued an authentically raw sound. This immediately set them as an act to watch, assuming they didn’t suffer an immediate creative burnout.
PERPACITY – Let It Roll EP
In the spring of 2025, electronica duo Perpacity returned with an unexpectedly alternative sounding EP. Not only did some of the music from ‘Lille Flamme’ take on a slightly more angular sound than previous Perpacity tracks, but a decision to present the lyrics in Danish made everything a little more obtuse. Not that it was an entirely inaccessable release: at its best, the three numbers still showcased a musical unit who understood the need for a melody, even if those melodies were sometimes a little cold.
BLUE HERON – Emulations
Since their formation in 2018, US desert rock/heavy stoner band Blue Heron have been utterly committed to sharing massive riffs. Although parts of their 2024 full length ‘Everything Fades’ were a little more accessible from a vocal perspective, on a musical level, the album retained the kind of heaviness fans had come to expect, cementing the band’s reputation as one of the underground scene’s best and most intense acts.
Continuing a run of yearly new releases since 2022, ‘Emulations’ is a stop gap affair, combining four newly recorded tracks with a blistering live session, but it shouldn’t be considered a “filler” in any way.