SWING HERO – You’ve Never Been So Alone EP

swing heroHaving gone through multiple lineup changes, Los Angeles based alt-rockers Swing Hero found themselves pared down to a duo by the end 2014. The slim band arrangement has no impact on their sound, however – on the three songs that inform their ‘You’ve Never Been So Alone’ 10” EP (their third record, released at the tail end of the year) Marshall Gallager (guitar/bass/vox) and Ben Scarboro (drums) make a glorious racket.  Their wall of sound is typically retro, pulling a huge amount of influence from both shoegaze and grunge (and outlying subgenres thereof), but always sounds somehow timeless in its execution.

Following a brief buzz of an amp, a drum signifies the arrival of a surprisingly complex slab of grungy alternative rock.  ‘Interest’ shows most of Swing Hero’s talents in a powerful opening number. Starting quietly, the first verse reveals Scarboro to be a player with a great talent, his snares providing much of the interest, while a solemn lead vocal from Gallager bares more than a passing resemblance to Echo & The Bunnymen’s Ian McCulloch with its somewhat dour tone.  Before too long, the temptation to crank the volume takes over and the main guitar riff really asserts its presence.  Adopting a thick, overdriven tone all round, a midpaced, head-nodding, metallic clang just drives its way relentlessly into the ears. Swing Hero are in full flow of their nineties revivalism, but somewhere underneath, there are still strong tuneful qualities.  This surprising attention to melody comes not just in Gallager’s well-rounded delivery – by now risen to present a more powerful rock sound – but also via some unexpected “woo woo” backing vocals lurking somewhere within.  By this time, the general volume of the performance recalls Sonic Youth’s more tuneful output, even if the sounds are less discordant than Thurston and Kim’s preferences.  Fans of post-grunge and shoegaze sounds will find an almost instant kinship in this number.

Despite making a feature of a bass drum, ‘Grown Up’ is much quieter at first, a clean toned guitar tinkling, as various shimmering sounds pitch against another crooned vocal, all very much representing the louder end of the dreampop ouvre.  The band could easy have constructed a full number from the more introspective sounds, but revert to their comfort blanket of distorted guitars for the chorus and beyond.  This is by no means a bad decision – they sound so at ease rocking out after all.  While the vocals represent some of the best performance on this EP – a mix of obvious melody and reverbed harmonies – it’s the instrumental work that really stands out and marks Swing Hero as a band to watch. The use of multi-tracked guitars, effects pedals  and relatively simple bass thuds evoke strong memories of the heaviest parts of The Smashing Pumpkins’ classic ‘Siamese Dream’ and the artier part of the nineties alternative rock scene.   Across five and a half minutes, ‘Home Is Where You Make It’ makes an even broader feature of such crashing riffs and a wall of cymbals, churning a distorted riff in a style slightly slower than expected.  It’s not a great step from ‘Grown Up’ but is a stronger effort overall, thanks to such an insistent hook line. It’s here the EPs title appears, the line repeated as a simplistic refrain intercut with a few old-fashioned “doo doo”s for good measure. It’s a hook that’s so insistent that once it takes hold, its almost entirely possible to forget the rest of the lyrics in an instant.  Whether echoed and shoegazey vocals or grungy guitar riffs are your thing, this track should be earmarked for listening and a possible download purchase.

With a bang up production job, this sounds great with the volume cranked.  It may be more reliant on crunching and droning atmospheres than obvious songs, but Swing Hero push all the right buttons…and with absolute ease.  Quieter and more focused than A Place To Bury Strangers, more tuneful than Yuck and edgier than Yo La Tengo, the three tracks presented on this EP represent the best in guitar-driven, brilliantly loud indie rock.  Recommended.

December 2014

VARIOUS ARTISTS – Here Comes The Reign Again: The Second British Invasion

second british invasionIn the spring of 2013, record producer Andrew Curry gathered many power pop superstars and cult artists to record their own versions of 1970s AM radio hits.  Highlights included a note perfect take on 10cc’s ‘The Things We Do For Love’, alongside previously unheard covers by the almost legendary Mike Viola, ex-Candy man Kyle Vincent and – no stranger to the cover version – one man pop factory Michael Carpenter, who put his own stamp on Cliff Richard’s UK #1 hit ‘We Don’t Talk Anymore’.  ‘Drink a Toast To Innocence’ was the embodiment of “guilty pleasure”, for those who believe that such things exist.  A year on, Curry gathered more cult pop performers – including return visits for some – for ‘Here Comes The Reign Again: The Second British Invasion’, a similar look back at 80s radio hits.

Continue reading

ROONI – Pilot EP

pilotIn 2011 Swedish singer songwriter Gustav Nilsson released his fifth EP, ‘Makeup On, Letdowns Off’, a collection of tunes which mixed power pop and indie in a way that marked a departure from his more rootsy beginnings.  Not perfect by any means, the recording had spirit – and one track in particular, ‘Paper Cuts’, set Nilsson aside as an artist worth watching. Not too long after the release of ‘Makeup On’, Nilsson reappeared as frontman with retro pop/indie pop outfit Rooni [not to be confused with Taylor Locke’s defunct US band Rooney].  The band issued a couple of standalone tracks via their soundcloud account in 2012 – both of which showed promise – but it was the release of their song ‘Ambulance’ the following year which really hit the mark.  ‘Ambulance’ is one of those tunes that once heard a few times really sticks; its blend of early 90s indie and a knowing wink to power pop of many years previously resulted in an almost perfect three minute earworm.  The styles with which Nilsson had experimented on his last solo EP had finally blossomed into something marvellous.

Continue reading

ABSENT FRIENDS: The Genuine Fakes

In 2010 Real Gone gave coverage to a debut album by Swedish power pop sensations, The Genuine Fakes.   Like most sites, we found the album – although not perfect – had lots of lovable material and the band’s commercial potential was pretty big.

We heard little from them after that.  Kool Kat Records issued a hard copy of ‘The Striped Album‘ (previously only a download) and included a bonus disc.  Real Gone included a non-album track on our first full length sampler in December 2011.  …And then nothing.

Continue reading

GREASY HEARTS/SUN VOYAGER – Grease Voyage (split release)

svgh split2014 was a very busy year for Brooklyn-based garage rockers Greasy Hearts.  At the start of the year, they turned up at fledgling lo-fi label King Pizza Records with their debut EP already recorded, which the label put out straight away.  A few months later, they were back in the studio with the label’s in-house producer Seth Applebaum recording new material – the six resultant songs sharper, the performances capturing more fire than before.  Gigs were played…lots of gigs; guitarist Joey Farber also played and recorded with his other band The Jeanies.  Somehow, between everything else, the Greasy Hearts still found time to record three more tracks, released here as part of a split release with Sun Voyager for the first time.

Continue reading