Creating your sleeve art from public domain photos certainly saves on costs, but who knew the kid with the colander on his head was so popular? This EP marks at least the second time in the first quarter of 2016 he’s put in an appearance. To be fair, though, there’s a big musical gulf between the work of Rick Springfield and New Jersey pop-punks Nine Eighteen. Each one hugely talented, but never the twain shall meet, as they say.
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DRAMA / PERDITION WINDS – Split EP
A release delayed several times due to label problems, this split EP eventually appeared at the end of 2015. Featuring previously unreleased material from Russia’s Drama and Finland’s Perdition Winds, the three tracks showcase two very different slants upon a black metal theme.
THE POSEURS/KUNG FU DEVILS – Dancehell Music (split EP)
This 2009 split release from Riotska Records brings together otherwise unavailable recordings from two Russian bands – The Poseurs and Kung Fu Devils. Five songs from each is enough to give more than a taste, and more than enough to demonstrate that both acts have their strengths while tackling punk-rooted music from different angles.
HOGGS BISON – The Dog Party Call EP
Hoggs Bison are another of those bands that could fall into post rock or art rock categories, with the creation of instrumental canvases that are often too rooted in nineties climes to be labelled straight prog (if indeed there is such a thing). At the same time, they aren’t necessarily always busy enough to warrant a definite math rock tag, even though fans of that style could certainly enjoy this release. In other words, although their music has some obvious reference points, their chosen path isn’t always easy to categorise; but it might be fair enough to say that lovers of Slint, Sonic Youth and the quieter output of the mighty Fierce and The Dead could find a musical kinship with this Bristolian trio.
PATRICK BOUTWELL – Hi, Heaviness
Singer-songwriter Patrick Boutwell is best known for being a member of alt-rock band The Brother Kite. For his 2016 solo release, he takes a side-step from some of the noisier and spikier aspects of his band work to increase the focus on some good, old-fashioned power pop, but without losing too much of the grit. Although the title ‘Hi, Heaviness’ may suggest an inward looking approach, the nine tracks on the album are largely concerned with a brighter outlook, helped no end by most of its tracks being awash with a clean toned guitar. Obviously, the power pop, Posies-esque influences should be enough for some of you to seek out this recording immediately, while for those already familiar with The Brother Kite, there are chunkier elements that provide a link with the past. He’s got both ends covered…and with ease.