DARKFLIGHT – The Hereafter

Darkflight first took form in 2000 with a mission to create harsh, doomy sounds. Over the course of various DIY releases combining heavy as hell riffery with fantasy themed lyrics, they carved themselves a space in the world of Eastern European extreme metal. By the time of 2008’s ‘Perfectly Calm’, their atmospheres had grown to include elements of medieval folk metal, but generally speaking, their main concerns leant very much towards the heavy.

Fast forward to 2017’s ‘The Hereafter’ and Darkflight is just the product of two men: multi-instrumentalist/vocalist Ivo Iliev and bassist/clean vocalist Milen Todorov. The apparent lack of full band has had no impact on either Darkflight’s sense of vision or their abilities to absolutely crush with a riff, although Milen’s contributions of clean and gothy vocals certainly go a long way towards making this album as enjoyable as it is.

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THE VICE RAGS – The Vice Rags (a.k.a Hope The Neighbors Are Lookin’)

Two old friends. Two older friends. Many previous bands between them.

That’s how New Jersey garage rockers The Vice Rags choose to introduce themselves, playing up the fact that making cool music should often have a feeling of camaraderie and also, that unless you’re the spoilt talentless son of a media mogul or know the Arctic Monkeys in person, there’s no such thing as overnight success. Both guitarist/vocalist Paul Rosevear and Gay Elvis (bass) are members of the on/off garage rock/power pop trio Readymade Breakup; Elv also played with punkers Kid With No Head, who opened for The Offspring, blink-182 and the mighty Bad Religion; drummer Joe Chyb has links with The Anderson Council and guitarist Jack Roberts played with Prunella Scales, a much overlooked band fronted by Skid Row’s Rachel Bolan, as well as having been a long-serving member of Mars Needs Women, with whom he shared a stage with Cheap Trick. With all that behind them, you could say that The Vice Rags have something of a cult pedigree.

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HOUSE ABOVE THE SUN – Five Hours North

In 2015, House Above The Sun released a DIY EP that hinted at strong talents within light blues rock and UK Americana genres. Two years on, the band’s first full length takes those roots and tugs hard at them, resulting in a recording that’s like an old familiar friend; ten songs displaying a very live sound coupled with a few classic hooks and lots of great playing.

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THE PHANTOMS – Covers ’65-’75 EP

Teaming The Zeros’ vocalist Victor Penalosa with The Trebles’ guitarist Xavier Anaya, garage rock band The Phantoms released a full length on Rum Bar Records back in 2015. Tapping into various retro grooves and kicking off with the superbly trashy bar-room workout ‘Baby Loves Her Rock ‘n’ Roll’, the record was well received by the underground press. Two years on, the band reunited and recorded a bunch of no-frills cover tunes.

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ALL MY SINS – Lunar/Solar EP

Following their 2004 release ‘From The Land of The Shining Past’, Serbian black metal band All My Sins took a break. Not just an eighteen month sabbatical to regroup, but a full scale thirteen year break from recording. Think about that. A lot could happen in that time. For All My Sins, the biggest change regards their recording budget and sense of vision; although only a four track EP, ‘Lunar/Solar’ dispenses with the demo sound that hampered the band previously and presents four well recorded pieces that, when heard together, very much feel like a song cycle. A heavy, cold and confrontational song cycle, but a cycle nevertheless.

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