Fusing elements of shoegaze and the more accessible bits of a post rock sound, Norwegian trio Spielbergs make a big impression on their new single.
‘We Are All Going To Die’ harks back to the 90s whilst keeping one foot firmly in the present. Their wall of sound approach can be emotionally draining, yet at the same time, their new music has an intensely rousing quality that fans of shoegaze and associated subgenres shouldn’t miss.
You can listen in full below.
They’ve been away for a while, but Chilean shoegaze sensations MAFF are back with a new EP ‘Melañiña’, which releases in April.
Before the full release, you can check out two of the new songs on Soundcloud, including the new digital single ‘Hawaii’, which absolutely destroys by a way of a heavy and pulsing bass, before the whole track explodes into a world of 90s distortion culling the very best from Catherine Wheel and My Bloody Valentine.
Melbourne’s Espionage don’t just fly the flag for old style heavy metal, they positively scream its praises from the Victoria rooftops with a shameless pride, not only as if the 90s never changed perspectives, but also as if Slayer had never actually existed. Hearing their second EP ‘Wings of Thunder’ for the first time, the traditional metal sounds are so rooted in the past, it’s even hard to tell whether it was recorded in 1984 (as is its core sound) or 2016 (as claimed in the sleeve notes). This, of course, isn’t necessarily a bad thing – especially considering that, even at such an early stage in their career, the Aussie rockers sound like masters of their craft.
What would happen if you took a member of the Bullet Proof Lovers, a member of Spanish punkers Los Reactivos and a member of the Spanish band Airbag and set them to work in the recording studio? You’d end up with K7s, one of the finest pop punk outfits to release an album since the genre’s glory days of the 1990s. Yes, the K7s’ debut is that good…and in in almost every way. It’s hugely indebted to days gone by when pop punk meant pop punk and not whiny music with an overdriven guitar riff, but that’s every reason why it’s great. Continue reading
This Minneapolis based garage rock band is entirely unpretentious. At no point do these musicians stretch too far beyond their garage-ish musical limits – limits that are occasionally just a little too obvious – nor do they display any kind of ego. By their own admission, J. Eastman & The Drunk Uncles are rather shambolic. Still, a fairly loose and carefree attitude has got them so far and this third release works very much on a maxim of “if it ain’t broke, don’t fix it”. Or in the case of the Uncles, it might even be “if it sounds a bit broke, let’s swill some booze and knock things about until they sound better.”
True to their word, bits of ‘No Capo Required’ do indeed sound sloppy. That said, you’ll have heard sloppier…and sometimes from bands who actually genuinely believe they’re the very acme of musical perfection.