ZEKE – Hellbender

Most people’s introduction to hardcore speedpunks Zeke was the ‘Super Speed Racing’ LP back in the mid 90s. It was an album that did exactly what it said on the tin: by packing in over twenty tracks in almost as many minutes, it wasn’t so much a long player as a sonic thrill ride set to shake teeth and bowels loose, all with a knowing grin. Zeke continued to bash out similar albums and sought after 7”s much to the delight of fans over the next decade, before bowing out with a final album ‘Til The Living End’ in 2004. A handful of retrospective tracks crawled out after that, but it seemed we’d heard the last of Zeke…but, to be fair, it’s impossible to keep up such a pace without reaching burnout. Thinking about it, it’s amazing they lasted as long as they did.

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Listen: Real Gone’s New Release Round-Up, January-March 2018

We’ve always aimed to bring an eclectic coverage of music at Real Gone.  We’ve always insisted on mixing genres and covering bigger bands we love alongside some really underground DIY releases.

Since the site launched in November 2009, there’s been a lot of music to get excited about, but the first quarter of 2018 could be one of the most enjoyable yet.

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MARK LANE – New Memory

Mark Lane’s fourth album ‘New Memory’ continues the Californian singer-songwriter’s voyage down a rabbit hole of retro pop. So much so, that it’s hard to work out whether its title is meant to be ironic. These ten songs do not so much create things that’ll eventually become a new memory as delve into old musical memories and stir them up. To say that Lane’s work is often the sum of its many influences would be an understatement, but there’s no avoiding the fact that – assuming you like retro pop/rock with a heavy 70s bias – ‘New Memory’ is a thoroughly enjoyable record.

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HEATHEN BEAST – The Carnage of Godhra EP

From it’s birth in the coldest extremes of Scandinavia, black metal slowly spread across Europe like a harsh plague, invading territories with a barrage of riffs, twig shaped logos, minimalist artwork and sounds often characterised by especially harsh, thin vocals. Over the years, the style has become more refined, mixing the purer elements with death metal depths and complexities. In allowing itself to be more inclusive of a few other extreme metal styles, it seemed to become even more influential – a huge surprise for a metal subgenre born within such extremities. In short, it’s all come a very long way from it’s roots; it’s no longer about painting your face white and considering burning a church during your spare time.

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