With no concessions to pop-oriented choruses, metallic breakdowns or obvious 90s skate elements, Boston’s Silver Screams play classic punk with hardcore edges. Their 2018 EP ‘Alive In The Afterlife’ is built from tough riffs that often champion the old-school approach which, coupled with a natural vocal and a huge amount of speed, results in a potential DIY classic.
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AUTUMNWIND – Endless Fear
Autumnwind isn’t really a band; it’s a huge musical vision where its founder, Abdulrahman Abu Lail writes and plays everything. He uses this one man band as a vehicle for emotional outpouring, in his own words, as a way of “mind-describing” his own feelings through intensive music. This third album makes that theory even clearer by giving its five pieces of music titles which reflect emotive states. The results, as expected, are very heavy, though never so confrontational you’d struggle to listen or, indeed, want to shut off the feelings that Abdulrahman is keen to share.
CONTESSA & THE SQUIRES – Horrorama EP
In April 2016, Contessa & The Squires released ‘Stomp The Bomb‘ [retitled ‘Stomp The Bomp’ at some outlets], an enjoyable – if brief – voyage into rockabilly sounds with a European accent. It was one of those recordings that deserved more attention; between the short, punchy songs and a feel-good attitude, the band sounded very professional and as if the recording process had been fun. At the end of October that same year, they made an unexpectedly hurried return with ‘Horrorama’ which, as its title suggests, tied in with Halloween.
Watts return with new single ‘Queens’
Just over a year ago, Watts announced they were ‘All Done With Rock n’ Roll’. Despite some hefty rumours claiming there would be no more Watts studio recordings for a while, they’ve returned in double-quick time.
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SOUL DISSOLUTION – Nowhere EP
Formed in 2012, Belgian progressive/post black metal band Soul Dissolution have never been afraid to stretch the confines of black metal. Their 2018 album ‘Stardust’ mixed standard black metal ideas with some surprisingly melodic passages, resulting in something that often sounds like Drama crossed with a very extreme version of ‘Jester Race’ era In Flames, stretching extreme riffs into cold, bleak shapes.