THE RIVEN – The Riven

On their debut EP ‘Blackbird’, The Riven showed a lot of promise. With a fusion of hard rock and blues, the EP presented five songs with an old fashioned spirit and some great vocals, but was rather let down by its recording budget. Sadly, tunes that deserved a huge crunch were all too often left feeling a little muddy.

A lot happened over the next couple of years. The band relocated from London to Sweden, played live shows, gained a recording deal with The Sign Records [home to Wheel In The Sky, Highrider and Grande Royale] and then decamped to Spain to record a full length album.

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LARSEN – Tiles EP

Formed in 1993, Larsen are an experimental band from Italy. Their members have managed to keep a fairly low profile over the decades, but that didn’t stop their 2002 LP ‘River’ achieving critical acclaim in both Europe and the States. In 2008, the band were joined by Ann O’Connor (aka Little Annie, aka Annie Anxiety Bandez). Little Annie, a New York performance artist – formerly of Asexuals and known for collaborations with Current 93, Nurse With Wound and Kid Congo Powers – gave the band an extra dimension when adding spoken passages to their disjointed sounds.

Eagerly awaited by fans, their 2019 EP ‘Tiles’ ends a three year recording silence. Its four tracks teeter between darkly gothic and just plain difficult, but it’s often it’s more than possible to understand where this avant-garde/art rock collective are headed.

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THE YOUNG ROCHELLES / THE NERDY JUGHEADS – Split EP

At the end of 2014, Tokyo punks The Nerdy Jugheads released their first recordings on an intense EP that took the core sounds of Screeching Weasel and transplanted them via Japan, creating music that blended fine Ramonescore with the nerdy oriental quirks of Hi-Standard. The result was an all-thrashing, all-bouncing five tracker that no pop punk fan should be without. The band returned in the summer of 2016 with three new tracks, issued as one half of a great split release with New Yorkers The Young Rochelles. It’s East meets West in this spit EP face off…who will win this global punk battle of the bands?!

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CATHEDRAL BELLS – Cathedral Bells EP

A dreampop and shoegaze influenced project helmed by Matt Messore (previously of Dear Tracks), Cathedral Bells’ debut EP isn’t exactly shy about recycling musical influences. With strong elements of the more commercial Jesus & Mary Chain, the synthier and more cinematic aspects taken from The Cure and more than a trace of Pale Saints, its six tracks play like the greatest EP not to be released by 4AD Records in 1990. When influences and moods are recycled as well as they are here, originality is more than welcome to take a back seat as Cathedral Bells join Norway’s Spielbergs in heading up a full-on 90s revival.

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GRAVE FOR SALE – Garajo EP

Romania mightn’t be the first place you’d go looking for surf rock sounds, but Grave For Sale are a band deeply immersed in the retro style. Their musical universe draws influence from greats like The Ventures, but also applies sounds that could be found at the heart of horror rock, often resulting in tunes that sound like a blend of fine garage based melodies and a deep cut from a Tarantino soundtrack.

Their second EP, 2019’s ‘Garajo’ is seriously great. It has an old spirit, but a really beefy sound and its five tracks cover a lot of ground, yet at the same time, sound like tunes that belong together. In short, it’s a superb twenty minute showcase for a band whom deserve a larger fan-base.

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