THE REAL GONE SINGLES BAR #10

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. There’s no shortage of good music in the world, and this week, we probably could’ve put together three selections of the decent singles that have been sent our way. However, here’s another batch of the usual amount, and these eight top flight digital tracks take in the usual array of rock, metal, singer-songwriter fare and even something with a shameless pop core. If you like what you hear, don’t forget to check out the artists’ works further, or perhaps even backtrack to previous Singles Bars you might have missed along the way – there’s even more good music to be discovered!

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FATSO JETSON / DALI’S LLAMA – Legends Of The Desert Vol. 3

As its title suggests, ‘Legends of The Desert Vol. 3’ is the third an ongoing series of split/compilation releases bringing together material from various cult stoner rock/desert rock acts. By presenting a couple of the underground’s better known acts, this third instalment automatically runs rings around its two predecessors, and the promise of new material from the mighty Fatso Jetson automatically ensures this disc will become a favourite with genre fans everywhere.

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TEMPTRESS – See

This debut album from Temptress was a long time coming. The Texan band returned to the studio following the release of their debut EP in 2019, but soon had their work halted by the global pandemic. The album’s recording was finally finished in 2021, after which Temptress signed with Metal Assault Records. Instead of getting the material out straight away, everyone waited until the time was right, and ‘See’ eventually saw the light of day in the first quarter of 2023, over three years on from its inception.

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RUBY THE HATCHET – Fear Is A Cruel Master

Ruby The Hatchet made their first inroads into a recording career with the self-released ‘Ouroboros’ in 2012. Aside from the occasional one line hook, the DIY recording captured the raw talents of a brilliant stoner rock/deep psych band. With riffs heavily indebted to Kyuss’ majorly influential bottom end noise and Black Sabbath’s doomy origins, the band immediately had a strong musical root, but in vocalist Jillian Taylor it was clear they had something very special. Taylor’s clear and strong delivery always gave the music a melodic edge that other doomy bands didn’t always have. Even at such an early stage, her clean, crying style often lent the material a brilliantly haunting feel that would be hard to beat.

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VOLT RITUAL – Volt Ritual

When it comes to mining classic influences, Polish stoner rockers Volt Ritual dig deeply on their debut release. Their self titled disc from 2022 takes the mighty Black Sabbath as its root inspiration and takes a very 70s approach to a heavy riff, but the material could just as easily have been recorded in the 90s at a time when Kyuss, Fu Manchu and Roadsaw were at their height. Its seven numbers are crammed with heavy riffs and fuzzy grooves; the production values call back to Rodger Bain’s early no-frills approach, and the band’s overall sound is one that a vast proportion of stoner and doom fans will take to in a heartbeat.

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