MV WELLS – Le Dauphin

‘Le Dauphin’, the 2026 release from Chicago based songwriter MV Wells, feels like a record out of time. It’s richly layered songs draw from adult pop, 70s AM radio influences, the more accessible end of the Harry Nilsson catalogue, early solo Lennon, and even more contemporary fare in the vein of The Flaming Lips (at least when they’re not trying too hard to be quirky, or pitch the latest idea in their string of novelties). Its nine songs feel familiar, yet repeated listens uncover material that is ultimately far more interesting than mere pop throwbacks, and at it’s best, it’s an album that proves that good pop – despite going through many changes over the decades – will ultimately find its way back to the golden age of the late 60s and early 70s.

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EUGENE McGUINNESS – Eugene McGuinness Versus The Universe

Back in 2007, singer songwriter Eugene McGuinness released ‘The Early Learnings of…’, an album that explored moody retro pop with a spooky undertone (‘Vampire Casino’), numbers centred around a hard strummed guitar and slightly distorted vocal (‘A Child Lost In Tesco’, ‘Monsters Under The Bed’), and even lo-fi works that sounded like the ghost of Brian Wilson colouring Tindersticks balladry (‘Madeleine’). His scattershot approach resulted in an album that presented a very interesting voice in the world of adult pop.

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Listen: Stephen McCafferty shares new track ‘Debt Collector’

In 2025, Stephen McCafferty released a string of impressive singles. The best of the bunch, ‘I Only Want To Hear Sad Songs’ shared a strong pop rock sound that hinted at a love of The Killers but added a distinctive Scottish accent, while ‘I Am The Buffalo’ took a similar sense of the melodic and added a light folky touch. ‘Rubber Glove’ leant a little further into an indie pop sound, but with the help of a buoyant melody and hooky lead guitar part, created another number that really helped to give the performer’s debut LP ‘Monsters and Lullabies’ a strong musical backbone.

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THE REAL GONE SINGLES BAR #160

Welcome back to the Real Gone Singles Bar, the place where we explore some of the best individual tracks to land in our inbox over the past few weeks. This time around, we’re thrilled to share a long overdue return from a power pop legend, a well crafted number from a new name in retro pop, a perfect slab of soul getting a timely re-promotion, a perfectly formed and very melodic instrumental track, and more besides. As always, we hope you find something new to enjoy.

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