MICHAEL DES BARRES AND THE MISTAKES – Live! EP

Switching between being an actor, a musician and a radio host, Michael Des Barres has had a long and interesting career. You might remember him as the vocalist with 70s rock bands Silverhead and Detective. If hard rock wasn’t your thing back then, you might know Michael as the cool, scene stealing kid in To Sir With Love. Maybe you saw him get murdered in an alley in the Amicus horror film I, Monster. You almost certainly saw him fronting The Power Station during the TV coverage of the Live Aid footage. The point is that Des Barres has always been there, doing his thing.

By 2019, he returned to the rock scene fronting The Mistakes, whose ‘Crackle & Hiss’ single captured a great retro sound, injecting a little garage punk spirit into some huge swaggering riffs. The kind of number best played loudly, it placed Michael in a similar musical sphere to Duff McKagan’s extra curricular projects Neurotic Outsiders and Loaded.

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STARDUST – Highway To Heartbreak

When Stardust appeared on the melodic rock scene in 2016, they managed to build a fanbase fairly quickly. Their self-released EP captured a likeable sound and by securing the legendary Michael Wagener – producer of classic albums by Skid Row, Warrant and White Lion – to bring the songs to life, the Hungarian band’s career seemed to get off to a better start than most. Fan enthusiasm brought them to the attention those long time champions of AOR/melodic rock, Frontiers Records, who quickly signed up Stardust for their full length debut.

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PRIDE OF LIONS – Lion Heart

Formed in 2003, Pride of Lions is a melodic rock band that combines the musical talents and songwriting of ex-Survivor legend Jim Peterik and vocalist Toby Hitchcock. Their sound blends old style melodic rock with the bombast of musical theatre – a musical mix that’s surely won them as many detractors as genuine fans. Peterik’s gift for a huge chorus has remained obvious, but in Hitchcock, he’s found a musical partner who is often so overbearing that his voice tends to smother any real melodicism Peterik’s songs might have had. This made their first five albums very hard on the ears. It’s not that Hitchcock isn’t talented in his own way – his ‘Reckoning’ solo album from 2019 is actually very good for what it is – it’s just that working with Peterik always tended to bring out his worst vocal excesses. [Peterik’s bloated musical theatre sound, meanwhile, was much better suited to superior singer Dennis De Young…and even that produced mixed results.]

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