Serbian vocalist Nevena Dordevic came to the attention of Frontiers Records via her friendship with The Big Deal’s guitarist Srdjan Brankovic, whose own band released their debut album on the label in May 2022. Seemingly, his championing of Nevena was met with a huge amount of trust which was not misplaced.
Tag Archives: rock
REAL GONE GOES OUT: FM – Booking Hall, Dover, Kent 27/11/2022
When FM appeared at the first Ramblin’ Man Fair in 2015, they played an excellent set. Despite a low down billing on the main stage, they played with the professionalism and intensity of a headline act. Apparently, their London show on the 2022 ‘Thirteen’ tour – featuring Grand Slam in support – was similarly strong, so it was always likely fans on the Kent coast could surely rely on a typically enthusiastic set at the tour’s end.
DOT DASH – Madman In The Rain
Following a string of fairly jagged albums that pulled together punk, emo and mod influences, Dot Dash’s sound had a drastic overhaul on their 2018 LP ‘Proto Retro’. The rougher edges were smoothed out and in their place came some hugely melodic power pop. The bulk of the record’s tunes came with a 60s jangle as heard through a 90s filter, sometimes as if stumbling upon deep cuts from Teenage Fanclub; sometimes showing a massive love for Buffalo Tom. The musical changes were all for the better, since no matter where you dropped into the record, it was possible to hear something with huge hooks and a really positive feel.
FASTER PUSSYCAT – Like A Ghost / Pirate Love
Between 1987 and 1992, Faster Pussycat released a trio of major label albums that gained them a lot of very positive press. Between the trash-glam aesthetic of tracks like ‘Bathroom Wall’ and ‘Smash Alley’, the retro Stones-ish love of ‘House of Pain’ and hard funk of ‘Madam Ruby’s Love Boutique’, the band displayed a broad range of talents and influences, often only linked via Taime Downe’s distinctively scratchy vocal.
THE MORNING LINE – Scene
The Morning Line’s 2019 LP, ‘North’, was an absolutely terrific album. Reawakening the sounds of ‘Girlfriend’ era Matthew Sweet, Soul Asylum’s best major label recordings and even a the productions of Sean Slade & Paul Q. Kolderie, it felt like a musical love letter to the 1990s. Retro, yet still somehow fresh, it’s melodic and jangly songs really captured the best of the band’s obvious talents.
Three years on, their first release for Justine Couvault’s Red On Red Records is another musical treat. A seven song collection, ‘Scene’ taps into the “mini album” format – something that seems to have been overlooked since the early 90s – which means there’s far less opportunity for the listener’s attention to wander, but still enough scope for a little variety along the way.