A long time coming, DJ Kim Olin allegedly first hatched an idea for a rock ‘n’ roll band back in the 80s, but it wouldn’t be until 2022 that Leather Catsuit became a reality. At just five tracks, the band’s debut is too short, but since each of the tracks explores a different avenue, it plays like a complete showcase – enough to win the affections of potential fans without trying too hard.
Tag Archives: retro
THE REAL GONE SINGLES BAR #8
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. There’s another great selection this time around, ranging from rock and metal, to folk punk, to dreampop. With a variety of big guitar sounds, echoing voices, retro riffs and and even sharing a new tune from a French singer-songwriter, this promises to be one of our biggest and best selections of singles so far. We hope you’ll discover something new within and, as always, consider exploring some of these bands further.
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THE REAL GONE SINGLES BAR #6
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. This visit brings the usual variety, from the expected rock and metal tunes, to some old style garage rock, another singer songwriter, and even some westcoast AOR/yacht rock gold. There’s something in here for most Real Gone supporters to latch onto – as always, hopefully, you’ll find something that inspires you to explore further.
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MOZZY DEE – Orale!
In terms of keeping things retro, vocalist Mozzy Dee does an absolutely superb job on her 2023 release ‘Orale!’. Instead of taking the garage rock and power pop route of most of her Rum Bar Records label mates, Ms. Dee revels in a 1950s universe where the upright basses twang with a thundering elasticity and the electric guitars carry a massive twang that – in revivalist terms – is only beaten by the best Chris Isaak LP.
THE SHANG HI LOS – Aces, Eights And Heartbreaks
The debut EP from The Shang Hi Los was a little rough around the edges, but at its heart, it had some great songs. The musical marriage between guitarist Danny Kopko (Watts) and Jen D’Angora (Downbeat 5) seemed to be a perfect one, and their mix of garage rock and retro pop suggested great things ahead. A couple of years on, this full length album is bigger sounding, more slickly arranged and better produced, creating the kind of record that’s almost everything fans could’ve hoped for. By tackling various different styles throughout, it sometimes has a restless spirit, but some strong vocals – aplied brilliantly throughout – ensure the material hangs together well as a showcase for the Boston band’s talents.