PAVID VERMIN – The Beach Boys Never Surfed EP

For a lot of musicians, 2020 became about making the best of a bad situation. With a global pandemic putting gigs on hold and stopping bands getting together in dedicated rehearsal spaces and studios, people began to work in isolation. That’s easy enough when you’re someone like Jeff Lynne, a multi-instrumentalist with a state of the art home setup and a loyal audience who’ll wait years for your new record, but not quite so convenient when you’re a punk musician who’s used to having close buddies and the interaction with a small crowd in small basement venues.

The lack of outside world didn’t stop Glenn Robinson. The prolific punker went into overdrive throughout the year and with his one man band, Pavid Vermin, set about creating a string of releases that called back to a classic 90s sound. Having already released ‘Throw Me In The Trash’ before lockdown hit, he kept up momentum with the largely excellent ‘Cutting Corners’, a classic pop-punk disc calling back to the glory days of Lookout! Records, and ‘Lookout! Pavid Vermin Ruins Some Songs’ – almost the very thing Pavid Vermin was created for: a covers album featuring material written by many of your favourite bands.

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SUSPENSE HEROES SYNDICATE / SKARFACE – Christmas Fight Diary EP

Casting their net far across Europe to bring you a selection of Yuletide jollies, this EP from Laketown Records presents four previously unreleased tracks from two cult ska bands. For this festive split, French ska punks Skarface go head to head with Russia’s relative newcomers Suspense Heroes Syndicate in a high octane musical bout – a musical face off in which only one band can be the victor.

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MATT ELLIS – Stays Home EP

A DIY punk musician from Ontario, Matt Ellis spent half of 2020 in his bathroom. Armed with an electric guitar, a drum machine and his best sneer, he set about recording a bunch of Ramones inspired tunes quickly and cheaply. He obviously figured that with the world having succumbed to a pandemic, and a virus sidelining gigs and other activities, he – much like anyone and everyone – needed to do something to stay sane. The first recordings to emerge (the ‘High Risk Assurance’ EP from April 2020) showcased his love for Ramonescore in a very succinct and aggressive style. Its four songs were far from shy in sharing their love for Joey and Johnny (along with several key bands that came along in their wake) and in terms of home demos, certainly showcased a genuine talent for tapping into the core of what really makes good pop-punk so enduring – no matter how small (or even non-existent) the recording budget.

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GET THE FUCK OUTTA DODGE – Buzzkill

2020 was a busy year for UK garage punk duo Get The Fuck Outta Dodge. A global pandemic might have decimated the music industry and all but written off live performance, but for James (bass/shouting) and Ren (drums/more shouting), no time was wasted. They began the year by recording a brilliant covers record and then kept up momentum by laying down a bunch of their own tunes which were scheduled for a full length album release later in the year. Before that recording (released as ‘Buzzkill’ in October) could reach the sweaty palms of their fanbase, however, they even found time to crank out extra tunes on an EP, ‘We Make The Future Here’. That release captured an intense hardcore punk sound and acted as an excellent primer for new listeners.

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THE VAPIDS – Teenage Heads

The idea of a punk band covering an entire album is hardly a new phenomenon. In the 90s, Screeching Weasel, The Queers, The Vindictives and Mr. T Experience recorded their own fairly faithful versions of the first four Ramones albums. Thinking a little more broadly, Me First & The Gimme Gimmes thrilled the masses with their themed albums and pop punk heroes MxPx punked up material as diverse as Bryan Adams, Dave Alvin and The Proclaimers on their ‘Cover To Cover’ releases. Yes, indeed… The “punk cover” has become a staple of the scene.

The ubiquity of the punk cover doesn’t stop this album by Ontario punks The Vapids being hugely entertaining. With half the punk world wanting to pay tribute (either directly or indirectly) to Joey and Johnny’s groundbreaking blueprint, it is somewhat refreshing that these Canadian punks would want to pay homage to their own home grown heroes, and so, ‘Teenage Heads’ – originally released in 2002 – finds the band hammering through the ten numbers from Teenage Head’s self titled debut LP from ’79.

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