THE SEX ORGANS – I Hate Underpants EP

Okay. On the surface, this looks absolutely terrible. The Sex Organs are a duo who claim to be from outer space and dress up as…sex organs. They play squarely into the hands of novelty and spend most of their time being vulgar. There are at least three dozen reasons why their schtick just shouldn’t work. However, looking beyond beneath the crassness, buried somewhere beneath the shock value, you’ll find a raw as hell garage rock band that are actually worth listening to.

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TWISTER – Ten Years Of Failures EP

Their name might not be among punk’s most familiar, but Twister are one of many great punk bands from Italy. They’ve shared labels with Latte+, Mega and Killtime, churned out some solid melodic punk and Ramonescore sounds, and slowly forged their way to cult status. Their 2016 LP ‘We’ll Be OK’ gained a few positive online reviews, but became most memorable due to a sleeve that paid homage to the legendary Teen Idols. By the end of 2020, they were still relative unknowns compared to some of their peers, but they were still capable of releasing some fine, melodic fare.

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MATT ELLIS – Full Moon Fever

Throughout the first Covid-19 pandemic lockdown of 2020, Canadian musician Matt Ellis used his time very constructively. He recorded a series of demo quality EPs in his bathroom, showcasing lo-fi punk music that borrowed heavily from the Ramones’ back catalogue. What those EP releases lacked in sheen, they made up for with a lot of spirit, and for those concerned about their lack of audio fidelity, they served a great purpose in that all monies earned from Bandcamp sales was subsequently donated to various charities.

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The Hellfreaks share vaguely NSFW video for ‘Tabby’

Hungary’s The Hellfreaks have gone through a few musical changes throughout the past decade. Their early work showed an affinity with the classic psychobilly sounds of Necromantix and Long Tall Texans; by the mid ’10s, they’d refined themselves as a punky/metal hybrid and albums like ‘Astoria’ saw their fanbase grow. By the time of 2020’s ‘God On The Run’, the metallic edges had been bolstered further and tracks like the Marilyn Manson-esque ‘Witches Heal’ showcased a band with a lot of power.

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