2014 began a comprehensive Rush reissue programme with a deluxe replica repressing of the band’s 1974 debut LP.
Rush fans will be pleased to note that 2015 is set to bring a whole host of Rush reissues, when their works between 1975-1988 get the heavyweight vinyl treatment, each with a download code. ‘Fly By Night’, ‘A Farewell To Kings’ and ‘Signals’ will also be released on blu ray audio disc.
Cloud Atlas is a melodic rock/prog rock band based in York, formed from the fragments of various other prog rock/folk-prog bands. Vocalist Heidi Widdop will be known to some listeners as being the first vocalist with Mostly Autumn, as well as being a integral part of subsequent off-shoot Breathing Space and the short-lived Stolen Earth, the latter a band that also featured future Cloud Atlas guitarist/bassist Martin Ledger. Joining them is drummer Ian Halford and – new to the sometimes confusing and rather incestuous MA family tree – keysman Dave Randall. A guest bass is supplied by Stu Carver (also ex-Mostly Autumn).
In the summer of 2012, math rock/alt-metal act Wot Gorilla? really impressed us with their very technical third release ‘Kebnekaise’.
Many live shows followed the release of the album and the band really built up a following. With this in mind, we expected to hear more from them – maybe hints that a new album was imminent by the end of 2014, given that a new track ‘Joints’ was posted on their Bandcamp page in July.
Jet Black Sea is an experimental, extra-curricular musical outlet for a couple of cult figures associated with the prog rock scene. Nine Stones Close guitarist Adrian Jones and his band producer Michel Simons created the project in order to create music that stretches beyond the parent band’s more direct progressive rock and metal sounds. Stripped of all vocals and the most of the crunchy guitars heard on many a Nine Stones Close recording, there are still some meaty sounds present and a few rock influenced passages, but Jet Black Sea’s core sound is almost ambient in comparison. Not necessarily ambient in the true “Eno/Music For Airports” sense, but definitely more chilled out. Naturally, there’s still a great deal of prog at the heart of their music – given the pairing’s usual musical outlet, that is unsurprising – but it is prog rock in a much more minimal sense, although ‘The Path of Least Existence’s broad soundscapes rarely sound minimalist in their overall vision. An hour’s worth of instrumental sounds float by without ever resorting to self-indulgence and a stronger focus on keyboards brings a very cinematic feel to proceedings throughout.
Since the late 90s it has become tradition for Marillion to give their fan club members an exclusive CD. These releases are mixed bag affairs always containing unreleased material, sometimes demo recordings or live recordings. Over the years, these fun items have become treasured by fans.