When it comes to prog metal, Dream Theater always seem to take the bulk of the praise. It could say something about how unadventurous a core of prog/metal fans appear to be, especially since – perhaps with the exception of 2009’s ‘Black Clouds & Silver Linings’ – James Labrie and co. haven’t recorded a truly decent album since 1994’s ‘Awake’. There are other, much better practitioners of proggy metal fare out there. Symphony X are in possession of a far better vocalist than Labrie will ever be and the UK’s own Threshold are genuine masters when it comes to an actual tune.
One of prog metal’s most well-rounded acts, Germany’s Vanden Plas have it all. Their core sound revolves around fairly traditional Dream Theater/Fate’s Warning-ish fare, but as a band, they have never been afraid of experimenting with a Euro power metal stance and certainly haven’t been shy of an AOR inflected hook from time to time. Within their extensive back catalogue, you’ll find riffs and complexities aplenty; even a concept album or two. More importantly, you’ll discover a band with keen ear for a good melody. Somehow, though, the European band doesn’t get talked about anywhere near as much as you’d think.