THE FALL – Fall Sound Archive Vol 7: 1970s

The Fall’s early work has been reissued several times, but with a few of their “Fall Sound Archives” releases, Cherry Red Records managed to go above and beyond to give some well worn material the best send off ever. Both ‘Live At The Witch Trials’ and ‘Dragnet’ were released as lavish three disc editions in 2019, but even better, the seminal ‘Hex Enduction Hour’ formed part of a brilliant box set, ‘1982’, later that same year. By making the much loved album the main feature of a 6CD anthology, it set a precedent for similarly great reissues.

Taking the same approach as that box set, ‘1970s’ is a hefty 12CD tome that claims to include all of the band’s work from that decade. It doesn’t – there are notable omissions – but it pulls together a huge wealth of material, including several live shows that have never been officially released. There’s always a question of how much bootleg quality Fall material you need, but as the old fan mantra suggests, “you must get them all”, and the lure of six unavailable live sets here will certainly be enough for the hardened fan to want this set – quality be damned-ah.

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SCUM – For Health And Well-Being EP

It’s brave move to open a release with a spoken word passage, especially for a band who are barely out of the starting blocks in terms of their career, but Scum come in with such confidence on their second EP – and a semi-pretentiousness – that it makes the listener wonder what else they’ve got up their collective sleeve. “The primal scream of the modern team”, sneers a very natural sounding voice, before being particularly scathing of modern TV and its watchers who “do not see what they need”. It all sounds very jaded for a band whom, at the time of recording, appear to have a combined age that’s less than a third of Jello Biafra’s own.

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ONE DAY, AFTER SCHOOL – The Invisible Anchor

Wakefield’s One Day, After School released their debut EP ‘In Skeletal’ at the very beginning of 2016. Given the timing of the release and it only being a four song affair, it seemed fair to think that a full length album would drop at some point that summer. The summer came and went. Then autumn…then a very cold winter. The band were nowhere to be seen. Fast forward to Easter 2017 and – finally – their triumphant return. To say it was worth the wait would be an understatement, since ‘The Invisible Anchor’ taps into everything that made the EP enjoyable and more besides.

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CROSS WIRES – Dark Water EP

crosswiresFollowing two self-financed EPs and gigs at London’s much-loved 93 Feet East and Camden Barfly, this third DIY offering from Bethnal Green/Essex combo Cross Wires offers three more pieces of hard indie jangling crossed with a little post punk.  While their overall sound is still pretty raw, the rhythm section of Pete Letch on bass and drummer Ian Clarke provide the band with solid foundations, which appears handy for those inevitable times where the lead parts still seem somewhat dissonant.

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